My friend Paula lost all of her high school photos in a fire. Last week a friend posted a high school photo of her on her Facebook page. It is a very blurry photo that appears to have been copied from a high school yearbook.
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As is my custom at the end of photo shoot, I handed my camera to Beth and asked her to pick our her favorites. She turned the thumb dial on the back of the camera to go through the photos and she read the four digit file numbers of her favorites, I wrote them down. If she said something like “I especially like this one!” I put down a star by that file number.
How far was I from this burning building that I photographed last night for the local newspaper? My initial guesstimate was between 300 and 400 yards. The actual distance was 356 yards, more or less. How I did I figure that out?
A chance look today at an old photo just sent me back in time, both photographically and technologically. It was bone chillingly cold and Sarah and I were doing figure studies high in the Colorado Rockies. (One of our images is at the end of this article.) Back in 2007 most cameras did not have built in GPS units and my primitive mobile phone did not have GPS capabilities either. But I still wanted to keep track of some important photo locations, and this spot was one of them.
I have acquired some small, old family prints that I would generally describe as “fuzzy”. They are not clean and sharp. Making small fuzzy photos bigger does not make them better, it makes them worse. As I was explaining to an inexperienced photographer, making a high resolution copy of a blurry photo does not make it better. It just means you can turn a small blurry photo into a much bigger and therefore much blurrier photo.
When you create a digital image with your camera, your camera adds some digital information to the image file. This digital information is called “metadata” and it can be quite useful.
Last night I was photographing the local elementary and high school band concert for the local paper. The light level on the stage was low enough that I needed to use an ISO of 1600. That meant a fair amount of digital noise.
I went looking for the Tundra Bean-Goose again this afternoon (see the prior article), along with one of my young grandsons. The light was much better than yesterday which meant a lower ISO setting on the camera and a lot less digital noise than at ISO 6400 late yesterday afternoon. That would mean better photos.
How do you figure out the names of mountains you don’t know? It is relatively simple. I will show you how.
Ten years ago last night (October 26-27, 2012), my brother John and I were about a mile north of Poncha Springs Colorado. It was around midnight and we had a bright moon high in the sky. John was taking in the view and I was pointing my tripod mounted camera several different directions and taking pictures by moonlight.
The more I work with Topaz Sharpen AI, the more impressed I become. Topaz uses artificial intelligence to sharpen images that are not quite sharp.
I keep my photo apps together on one screen on my iPhone. Many of these apps are also available for Android phones. I thought I would share a screen capture of my photo apps and tell you briefly what these apps do. Some of these apps do things with the photos that are on your camera phone. Some of them help you control your camera phone. Some of them deal with an external camera (like my DSLR) or with external hardware. A few apps help you be at the right place at the right time. One or more of these apps might be just the ticket for what you like to do.
Before and after changes with ACR. Click to see a larger version.
Despite all the things you do to get the right white balance (see my last article on setting a custom white balance), there are some situations where a color cast is pretty much unavoidable. When that happens, ACR comes to your rescue.
O’Haver Lake, Mt. Ouray, Colorado.
You have heard it said a lot, and maybe said it yourself: “This picture doesn’t do the scene justice.” That is often true and for several reasons. One is that digital cameras do not capture reality. No matter how fancy or expensive, digital cameras simply do not capture what your eyes see. That is also true with film cameras. All color photographic films have different color characteristics. Some have better reds, others have better greens or blues. Some are more saturated and others less saturated. But none of them are totally color realistic. So why don’t digital cameras give you realistic images and what can you do about it?
Originally posted December 16, 2015. Revised and re-posted January 18, 2022.
Bobcat, Before and After a Tonality Adjustment
With the right software, you can make quick improvements in your images. There are some lighting situations where it is almost impossible, and certainly not practical, to get the correct white balance setting in the camera. This bobcat photo is an example. The best, fastest, and simplest solution is to get the right while balance setting after the fact using software like Adobe Camera Raw (ACR). A few minutes work with ACR can make a big difference in the look of your photos.
It started with an invitation to photograph a first class model in a gutted hotel. How could I say no? Most of the images from our photo shoot came out great, but the photo above, at least in the original version, was a challenge for my digital camera. The contrast range was too much for the camera to handle (this was back in 2008) so the well lit part of Tiana’s body looked just fine but the darker side was really noisy. Digital cameras were a lot noisier 14 years ago.
Photoshop Masking and Compositing (2nd edition)
Two essential and challenging Photoshop skills are Masking and Compositing. Fortunately for all of us out in Photoshop land, Katrin Eismann (along with Sean Duggan and James Porto) have written a masterful book on developing these skills, Photoshop Masking & Compositing (2nd edition).
Adobe Photoshop Restoration and Retouching (4th edition)
Katrin Eismann is a world class expert on photo retouching. She is one of the best of the best. In 2005 she was inducted into the Photoshop Hall of Fame. Anything she writes should be high on your reading list if you are serious about making the most of your Photoshop skills.
Photoshop Lab Color (2nd edition)
Everything you need to know about Dan Margulis is in Mastering Photoshop: Advanced Color Correction, Part One. After you have devoured the book I recommend in that article, you will know why you need to get Photoshop LAB Color: The Canyon Conundrum and Other Adventures in the Most Powerful Colorspace (2nd edition).
If you want to master color in Photoshop, Dan Margulis is the best of the best. He is one of the first three persons to be named as a member of the Photoshop Hall of Fame. And the book to get is Professional Photoshop 6: The Classic Guide to Color Correction. It is well worth finding on the used market (which you can do via my photography store). What Margulis teaches you to do with color is amazing. The before and after images will make your jaw drop.
The Digital Negative, 2nd edition
If you shoot RAW camera files (and you should), this essential book should be at the top of your list. It is far and away the best of the best. You will be amazed at what you can get out of your RAW files. Your images will thank you.
A lot of the quality of your final image will be determined by what you do with your RAW files when you open them in Adobe Camera RAW (ACR) which comes with Adobe Photoshop, Adobe Photoshop Elements, and Adobe Lightroom.
If you want to master Photoshop, a complete course can be found in the books recommended below. Think of this as a multi-book master class.
Your photos will look their very best if you optimize them with high quality image editing software.
Welcome to my online buying guide for photographers. With over 75 articles it is one of the most comprehensive buyer’s guides on the web.
I get lots of photo questions, and many of them begin with “What is the best . . . .” They usually come from photographers or someone who is shopping for a photographer.
My “best of the best” series recommends the best photo gear, accessories, software, books, DVDs, online photo labs, and a whole lot more. Thanks to the information in these articles I get emails from photographers thanking me for saving them time, frustration, and a lot of money.
This article is published annually in November with regular updates. Most recent update: July 31, 2022.
The original of this photo was a mistake. A throw away. Anoush and I were doing soft light portraits, thanks to the canopy of leaves overhead. I had carefully metered for the existing shady light conditions. But when I clicked the shutter, thanks to a breeze or something, the sun broke through the leaves and a beam of sunlight hit Anoush’s face and washed over some of the rest of the scene. The result was most of the image ended up somewhere between properly to overexposed, and her face was the most overexposed. It looked bad. The kind of photo most people would discard. But I didn’t throw it away. I learned from one of my photo guru’s years ago never to throw away a photograph, even a bad one.
Last night I was looking at the folder with some of my “favorite photos” for August 23 (screen capture 1, below) and something did not look right. I knew I created the sunflower photo late in the afternoon on the way home from a retreat in Northern Michigan. I also knew I created the image of our grandson Drew in our front yard in central Ohio. So how could I have gotten home from the retreat in time to take a picture of Drew on the same date?
Welcome to my online buying guide for photographers. With over 75 articles it is one of the most comprehensive buyer’s guides on the web.
I get lots of photo questions, and many of them begin with “What is the best . . . .” They usually come from photographers or someone who is shopping for a photographer.
My “best of the best” series recommends the best photo gear, accessories, software, books, DVDs, online photo labs, and a whole lot more. Thanks to the information in these articles I get emails from photographers thanking me for saving them time, frustration, and a lot of money.
Like a kid on Christmas morning, I opened a box with a book that has Andrew Wyeth’s Helga images. He is one of my favorite painters. I wanted to share my excitement with some friends on Facebook who also love Wyeth’s work.
Photoshop Masking and Compositing (2nd edition)
Two essential and challenging Photoshop skills are Masking and Compositing. Fortunately for all of us out in Photoshop land, Katrin Eismann (along with Sean Duggan and James Porto) have written a masterful book on developing these skills, Photoshop Masking & Compositing (2nd edition).
Adobe Photoshop Restoration and Retouching (4th edition)
Katrin Eismann is a world class expert on photo retouching. She is one of the best of the best. In 2005 she was inducted into the Photoshop Hall of Fame. Anything she writes should be high on your reading list if you are serious about making the most of your Photoshop skills.
Photoshop Lab Color (2nd edition)
Everything you need to know about Dan Margulis is in Mastering Photoshop: Advanced Color Correction, Part One. After you have devoured the book I recommend in that article, you will know why you need to get Photoshop LAB Color: The Canyon Conundrum and Other Adventures in the Most Powerful Colorspace (2nd edition).