Category Archives: Using Equipment

More Help Finding and Photographing Comet ZTF (C/2022 E3)

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February 1: Northern night sky and Comet ZTF (C/2022 E3).

I have had such good lunch photographing prior comets I was eagerly looking forward to seeing and photographing Comet ZTF (C/2022 E3). This comet is such a big draw because it has not passed earth in 50,000 years and will not likely return again. When I finally had a relatively clear night February 1, I was outside and ready to go. I had a much harder time than I expected. I glassed the right area of the sky with binoculars and I could not find anything that looked like a comet. So I took pictures of the northern sky which you can see above. On the back of my camera I could not the comet. So I downloaded the memory can looked on my computer monitor.

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How to Find and Photograph Snowy Owls

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Snowy Owl sightings, January 2023. Click image for a larger version.

Winter is your opportunity to photograph Snowy Owls. When it is cold enough and there is enough snow cover, snowy owls move down into the northern U.S. The colder it is the farther south they move. If conditions are right, don’t delay. If the winter turns warmer the snowy owls will head back north.

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How To Work With A Model (or Anybody Else) When The Windchill is 4°

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Selina

Selina, Downtown Columbus Ohio. Windchill 4°.

You would think a windchill of 4° Fahrenheit (-16°C) would be too cold for a photo shoot, but not with some models. We booked this January shoot weeks in advance so we knew it would be cold, but we had no idea how cold until the day arrived. Here’s the story behind this image and how to work with a model (or anybody else) when it is so cold.

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Testing Your Camera’s Snow Exposure Latitude

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Cascade, Barry, and Coxe Glaciers

Cascade, Barry, and Coxe Glaciers, Prince William Sound, Alaska

The “snow exposure latitude” for every camera is different. You won’t find it in your camera’s manual but it is easy to determine with a do-it-yourself test. Why does it matter? If you don’t know the snow exposure latitude for your camera and how to apply it to your images, the color and quality of your winter photos will suffer.

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Metering Nighttime Winter Scenes

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Twilight, Rocky Mountain National Park.

Twilight, Rocky Mountain National Park. Sirius, Canis Major, Orion, Taurus, the Hyades star cluster, and the Pleiades star cluster are all visible in the fading light. Click for a larger version.

You can photograph the night sky year around, but winter brings an added bonus: SNOW! When you don’t have the benefit of moonlight, most of the year land forms a dark to black silhouetted skyline against the night sky. In winter you have the possibility of including the highly reflective snow. You can see both in this photo. Any place not covered with snow is very dark to black. Having reflective snow is why winter is the favorite time of year for a lot of photographers to go out and photograph the night sky.

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Metering Wildlife in the Snow, Part Two

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Cougar

Cougar

Most wildlife are medium to dark in tone, making them a challenge to meter properly in the bright, white tones of winter. If you trust one of your camera’s automatic exposure modes, the odds are good you won’t get the best exposure. If you switch over to manual exposure and make the right decisions, you can get great exposures and better quality photos (more about that later).

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Metering Wildlife in the Snow, Part One

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Elk in the Snow, Rocky Mountain National Park

Elk in the Snow, Horseshoe Park, Rocky Mountain National Park, Colorado

Metering dark toned wildlife in the snow is a major exposure challenge. It is usually best to avoid large “burned out” areas (washed out, featureless white) in a nature or landscape photograph, but with properly exposed snow, the wildlife can be so dark as to lose all texture. On other hand, metering for the wildlife can burn out the snow. So what do you do? And what about the complications of metering white animals?

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How To Series: Winter Photography

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Last Light on El Capitan, Yosemite National Park

Last Light on El Capitan, Yosemite National Park

In addition to all of the usual photographic challenges, winter provides some extra complications, especially in terms of metering. So I began this series of articles on winter photography. Check out the links below. The articles will help you meet the unique challenges of winter photography. So get out there, have fun, and create some great winter images!

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Trunk or Treat: Choosing the Best Event Photos

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Adobe Bridge: Some of Saturday’s Trunk or Treat Photos

At my first newspaper gig in Oklahoma (back in the 1980s), I learned to take a lot of photos at busy events. Photographing active children is a game of percentages. You might take a half dozen or more images of one trick-or-treater to get the shot you want, or maybe none of the images “work” and the moment is gone. So you take a lot of pictures.

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Camera Equipment and Settings for Event Photography

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Adobe Bridge: 24 photos for the local newspaper.

Last Saturday I photographed a Trunk or Treat event for the local newspaper. I took 361 photos with two DSLRs, plus 5 more with my iPhone. On my first cut I picked 63 images. After the last cut I was down to 24 images which I optimized and sent to the paper. In this article I shared the equipment and camera settings that I used.

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The 30 Second Secret to Great Colors

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Paul Davis, Before (top image) and After (bottom image).

30 seconds of your time can make the difference between disappointing colors and great colors. That is the difference between these two photos. The top image is skewed toward yellow and green tones. It is most obvious in the white part of the EXIT sign, the white stripes of the U.S. flag and the white candle next to the speaker’s podium. The speaker has yellow-ish skin and and the blue walls are greenish in the top photo. In the bottom image all of that has been fixed. The flag looks much better, the candle is pure white, and the blue walls are actually blue. Most important, the skin tones (my primary goal) are so much better. The yellow skin is gone.

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How To Photograph the Super Flower Blood Moon Eclipse, May 15-16, 2022

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Lunar Eclipse, Super Blood Moon, Horseshoe Park, Rocky Mountain National Park, Colorado

Total Lunar Eclipse, Super Blood Moon, Rocky Mountain National Park, Colorado, September 27, 2015

Don’t miss it. This is the first of only two total lunar eclipses this year. This total eclipse happens this Sunday-Monday, May 15-16 (depending on our time zone). This article will show you how to photograph it. To see it, just walk outside and look. Continue reading →

Why and When To Set A Custom White Balance

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piano reflection portrait
Piano Reflection Portrait

Why set a custom white balance? The answer is simple. To get the best, most accurate colors your camera is capable of producing. It is especially important when photographing people if you want beautiful, accurate skin tones. In this article I give you some shooting tips, answer common questions, and I cover the situations when it is preferable not do a custom white balance.

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How To Set A Custom White Balance on Your Digital Camera

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Jennifer before and after setting a custom white balance.

To get the most accurate colors your camera is capable of creating you need to set a custom white balance. Every camera does this a little differently, but it involves taking a picture of an 18% gray card (or something pure white) and using that photo as a standard to create a custom white balance setting. I will show you the process with a Canon camera, but other brands should be somewhat similar. Check your camera’s manual for specific instructions.

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Your Camera Does NOT Capture Reality! – And What To Do About It.

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O'Haver Lake, Mt. Ouray, Colorado

O’Haver Lake, Mt. Ouray, Colorado.

You have heard it said a lot, and maybe said it yourself: “This picture doesn’t do the scene justice.” That is often true and for several reasons. One is that digital cameras do not capture reality. No matter how fancy or expensive, digital cameras simply do not capture what your eyes see. That is also true with film cameras. All color photographic films have different color characteristics. Some have better reds, others have better greens or blues. Some are more saturated and others less saturated. But none of them are totally color realistic. So why don’t digital cameras give you realistic images and what can you do about it?

Originally posted December 16, 2015. Revised and re-posted January 18, 2022.

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Snowy Owl Photography: Solving A Photo Problem (And the Right Way to Exit Your Vehicle)

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Snowy Owl, Photo Location 1

Snowy Owl, Photo Location P1

When I am traveling with my highly trained and high paid photographic assistant it is his job to remove trash barrels when they are in the way, cut down trees that spoil my view, run out into the meadow and scare off the cow elk that are in front of the bull elk I want to photograph, rip boards off of old barns that don’t look quite distressed enough, pull on the whiskers of a sleeping cougar to wake it up, and cut down utility lines that are obstructing a clear view of my subject. But he wasn’t with me on this trip due to sitting in jail over a minor incident in Yosemite. So I had a challenge on my hands that I had to solve myself.

I am kidding, of course. The prior paragraph was inspired by really crazy things a few photographers do but shouldn’t be doing.

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A Snowy Owl Photo Expedition

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Snowy Owl

Snowy Owl

What is a Snowy Owl expedition really like? This article is your chance to find out. Join me for a two day photo safari! I give you tips and photo suggestions along the way, and you get to see how I prepare, plan, and adapt on a photo trip. I tell you what went right and what went wrong so this is also about what to do when things don’t go according to plan.

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How to Find and Photograph Snowy Owls

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Snowy Owl sightings, January 2023. Click image for a larger version.

Winter is your opportunity to photograph Snowy Owls. When it is cold enough and there is enough snow cover, snowy owls move down into the northern U.S. The colder it is the farther south they move. If conditions are right, don’t delay. If the winter turns warmer the snowy owls will head back north.

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How To Work With A Model (or Anybody Else) When The Windchill is 4°

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Selina

Selina, Downtown Columbus Ohio. Windchill 4°.

You would think a windchill of 4° Fahrenheit (-16°C) would be too cold for a photo shoot, but not with some models. We booked this January shoot weeks in advance so we knew it would be cold, but we had no idea how cold until the day arrived. Here’s the story behind this image and how to work with a model (or anybody else) when it is so cold.

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