Incident Light Meter, Sekonic L-358
There’s no question that in some complex metering situations, an incident light meter can be quicker, faster, simpler, and more accurate than the meter in your camera. Many incident light meters can also measure light from an electronic flash, a huge bonus when you are using a flash in the manual mode.
Welcome to my online buying guide for photographers. With over 75 articles it is one of the most comprehensive buyer’s guides on the web.
I get lots of photo questions, and many of them begin with “What is the best . . . .” They usually come from photographers or someone who is shopping for a photographer.
My “best of the best” series recommends the best photo gear, accessories, software, books, DVDs, online photo labs, and a whole lot more. Thanks to the information in these articles I get emails from photographers thanking me for saving them time, frustration, and a lot of money.
This article is published annually in November with regular updates. Most recent update: November 30, 2020.
Back lighting isn’t the usual way to do portraits, so it provides a nice change of pace.
The Spanish Peaks in Colorado are special to me. As a small boy growing up in southern Colorado I could look out our living room window every day and see the Spanish Peaks.
Sarah, Professional Fitness Trainer
When using studio flash units, usually the best way to check your exposures is to use an incident light meter which is capable of metering flash exposures. But what if you don’t have an incident flash meter? Or what if you have a subject that absorbs a lot of light? Or a subject that reflects a lot more light than your typical photographic subject? You can double check your exposure settings by using the histogram on your camera. FYI: Do not trust the LCD image on the back of your camera to judge your exposures.
Sarah, Professional Fitness Trainer
Your camera is in love with middle gray. The quicker you learn how to deal with this infatuation, the better your photos will look, including all of your color photos.
Dawn at Sprague Lake, Rocky Mountain National Park
The exposure compensation scale on your camera is one of the keys to mastering exposures, getting better images, and ending up with professional quality colors. This means taking your camera off of full auto mode and taking control of your own exposures.
A couple of weeks ago, Beth and I went out into the cold and snow to create images. She played her violin while I took pictures. For that shoot she wore her long black concert dress. Since then, much of the snow has melted in southern Iowa. If another day came along with the right conditions we wanted to shoot again.
It was my happy privilege to do winter portraits of Beth Presler who is a superb violinist. This article has suggestions for photographing any musician on a cold, snowy winter day.
Selina, Downtown Columbus Ohio. Windchill 4°.
You would think a windchill of 4° Fahrenheit (-16°C) would be too cold for a photo shoot, but not with some models. We booked this January shoot weeks in advance so we knew it would be cold, but we had no idea how cold until the day arrived. Here’s the story behind this image and how to work with a model when it is so cold.
Denali Sunrise from Reflection Pond
The Sunny f16 rule is really useful on bright sunny days in the spring, summer, and fall, but you can’t rely on it for accurate exposures on bright, snowy winter days. It will often lead you astray and you will have seriously blown out highlights. There are much more accurate ways to meter in the winter.
Cascade, Barry, and Coxe Glaciers, Prince William Sound, Alaska
The “snow exposure latitude” for every camera is different. You won’t find it in your camera’s manual but it is easy to determine with a do-it-yourself test. Why does it matter? If you don’t know the snow exposure latitude for your camera and how to apply it to your images, the color and quality of your winter photos will suffer.
Cougar
Most wildlife are medium to dark in tone, making them a challenge to meter properly in the bright, white tones of winter. If you trust one of your camera’s automatic exposure modes, the odds are good you won’t get the best exposure. If you switch over to manual exposure and make the right decisions, you can get great exposures and better quality photos (more about that later).
Are you ready to take your nature and wildlife photography to the next level? Are you ready to learn the professional secrets that make the difference between good images and great images? Are you ready for a high intensity, action packed, total immersion photography weekend? Come to Park of the Pines on beautiful Lake Charlevoix June 12-15, 2020.
Last Light on El Capitan, Yosemite National Park
In addition to all of the usual photographic challenges, winter provides some extra complications, especially in terms of metering. So I began this series of articles on winter photography. Check out the links below. The articles will help you meet the unique challenges of winter photography. So get out there, have fun, and create some great winter images!
Welcome to my online buying guide for photographers. With over 70 articles it is one of the most comprehensive buyer’s guides on the web.
I get lots of photo questions, and many of them begin with “What is the best . . . .” They usually come from photographers or someone who is shopping for a photographer.
My “best of the best” series recommends the best photo gear, accessories, software, books, DVDs, online photo labs, and a whole lot more. Thanks to the information in these articles I get emails from photographers thanking me for saving them time, frustration, and a lot of money.
This article is published annually in November with regular updates. Most recent update: December 14, 2019.
Incident Light Meter, Sekonic L-358
There’s no question that in some complex metering situations, an incident light meter can be quicker, faster, simpler, and more accurate than the meter in your camera. Many incident light meters can also measure light from an electronic flash, a huge bonus when you are using a flash in the manual mode.
Portable “studio in a backpack” set up and ready to go.
If I am visiting family and friends and traveling by car, I usually bring my “studio in a backpack”. I never know when I might be asked to do some portraits and having some studio gear along helps create better images (especially when natural light is not a very good option). If you want to do portraits on the road (or even at home), these items are very useful. You can order these items from Amazon via the link at the end of this article.
Welcome to my online buying guide for photographers. With over 70 articles it is one of the most comprehensive buyer’s guides on the web.
I get lots of photo questions, and many of them begin with “What is the best . . . .” They usually come from photographers or someone who is shopping for a photographer.
My “best of the best” series recommends the best photo gear, accessories, software, books, DVDs, online photo labs, and a whole lot more. Thanks to the information in these articles I get emails from photographers thanking me for saving them time, frustration, and a lot of money.
This article is published annually in November with regular updates. Most recent update: May 8, 2020.
Dawn at Sprague Lake, Rocky Mountain National Park
The exposure compensation scale on your camera is one of the keys to mastering exposures, getting better images, and ending up with professional quality colors. This means taking your camera off of full auto mode and taking control of your own exposures.
Snowy Owl Sightings, January 2016
Winter is your opportunity to photograph Snowy Owls. When it is cold enough and there is enough snow cover, snowy owls move down into the northern U.S. The colder it is the farther south they move. If conditions are right, don’t delay. If the winter turns warmer the snowy owls will head back north.
Total Lunar Eclipse, Super Blood Moon, Rocky Mountain National Park, Colorado, September 27, 2015
Here in North America, Sunday night and early Monday, January 20-21, you have your last chance to photograph the last total lunar eclipse until 2021. This article will show you how. Continue reading
Selina, Downtown Columbus Ohio. Windchill 4°.
You would think a windchill of 4° Fahrenheit (-16°C) would be too cold for a photo shoot, but not with some models. We booked this January shoot weeks in advance so we knew it would be cold, but we had no idea how cold until the day arrived. Here’s the story behind this image and how to work with a model when it is so cold.
Denali Sunrise from Reflection Pond
The Sunny f16 rule is really useful on bright sunny days in the spring, summer, and fall, but you can’t rely on it on bright, snowy winter days. It will often lead you astray and you will have seriously blown out highlights. There are much more accurate ways to meter in the winter.
Cascade, Barry, and Coxe Glaciers, Prince William Sound, Alaska
The “snow exposure latitude” for every camera is different. You won’t find it in your camera’s manual but it is easy to determine with a do-it-yourself test. Why does it matter? If you don’t know the snow exposure latitude for your camera and how to apply apply it to your images, the color and quality of your winter photos will suffer.
Twilight, Rocky Mountain National Park. Sirius, Canis Major, Orion, Taurus, the Hyades star cluster, and the Pleiades star cluster are all visible in the fading light. Click for a larger version.
You can photograph the night sky year around, but winter brings an added bonus: SNOW! When you don’t have the benefit of moonlight, most of the year land forms a dark to black silhouetted skyline against the night sky. In winter you have the possibility of including the highly reflective snow. You can see both in this photo. Any place not covered with snow is very dark to black. Having reflective snow is why winter is the favorite time of year for a lot of photographers to go out and photograph the night sky.
Snow Hummocks, Merced River
Just like metering daytime winter scenes, the key to metering evening winter scenes is knowing what to meter and deciding how much exposure compensation to use.
Cougar
Most wildlife are medium to dark in tone, making them a challenge to meter properly in the bright, white tones of winter. If you trust one of your camera’s automatic exposure modes, the odds are good you won’t get the best exposure. If you switch over to manual exposure and make the right decisions, you can get great exposures and better quality photos (more about that later).
Elk in the Snow, Horseshoe Park, Rocky Mountain National Park, Colorado
Metering dark toned wildlife in the snow is a major exposure challenge. It is usually best to avoid large “burned out” areas (washed out, featureless white) in a nature or landscape photograph, but with properly exposed snow, the wildlife can be so dark as to lose all texture. On other hand, metering for the wildlife can burn out the snow. So what do you do?
Kristina in the Snow
The white snow in a winter scene can and often does fool a camera meter into underexposing a portrait, so here are the steps to take to get the right exposure. I throw in a few portrait suggestions too.