The video quality of some of these links is iffy.
I Have a Dream – short version with still photos
I have a Dream – short version with video
The video quality of some of these links is iffy.
I Have a Dream – short version with still photos
I have a Dream – short version with video
Martin Luther King Jr.
Today is Martin Luther King Day in the United States. Martin Luther King, Jr. was born January 15, 1929. He was a Baptist minister and a prominent civil rights advocate. King was the youngest person to receive a Nobel Peace Prize when it awarded to him in 1964. He was assassinated April 4, 1968 in Memphis, Tennessee.
One of his most famous speeches was delivered at the Lincoln Memorial August 28, 1963. Often referred to as the “I have a dream” speech, it is one of the most significant and powerful speeches of the 20th century. A portion of the speech follows. Links to the full speech and an audio file are at the end of this post.
It was my happy privilege to do winter portraits of Beth Presler who is a superb violinist. This article has suggestions for photographing any musician on a cold, snowy winter day.
I grew up in Colorado where strange weather can strand you in any month of the year. Even though it is rare, I’ve seen blizzards in the Colorado high country in July. So I learned to carry some safety essentials when doing winter photography in remote locations. You never know when you might be stranded for several hours, a whole day, or longer, until the blizzard abates and someone can come find you. This is what I carry in my car when I hit the road in the winter and pretty much any time I am going to be in the High Rockies. I include a few winter travel tips, too.
Cold and snow can cause a lot of damage to your camera gear. Something as simple as shooting outside and taking your camera inside your house or car can cause hidden damage that won’t show up until days or weeks later. The simple steps in this article could save you hundreds of dollars in repair bills.
Thinking about a photography trip to one or more U.S. national parks this winter? You can benefit from the work I have done. Some national parks look better in the winter than others. You will want to make them a priority. After you read this article I recommend you also read the companion article: The Best National Parks to Photograph in Winter.
Winter provides some wonderful photo opportunities in our national parks. But some national parks look much better in the winter than others. So if you haven’t gone into hibernation for the winter, here are the best national parks to go photograph this winter, grouped by state from the west to the east. There are a few bonus locations thrown in too. At the end I give you my “best of the best” list.
You would think a windchill of 4° Fahrenheit (-16°C) would be too cold for a photo shoot, but not with some models. Selina and I booked this January shoot weeks in advance so we knew it would be cold, but we had no idea how cold until the day arrived. Despite the frigid temperatures, Selina did no want to reschedule for later. When we created the image above the windchill was 4°. By the end of the shoot the windchill was 3°. Incidentally, this image made it into my photography book (page 217). Here’s the story behind this image and how to work with a model (or anybody else) when it is so cold.
The Sunny f16 rule is really useful on bright sunny days in the spring, summer, and fall, but you can’t rely on it for accurate exposures on bright, snowy winter days. It will often lead you astray and you will have seriously blown out highlights. There are much more accurate ways to meter in the winter.
The “snow exposure latitude” for every camera is different. You won’t find it in your camera’s manual but it is easy to determine with a do-it-yourself test. Why does it matter? If you don’t know the snow exposure latitude for your camera and how to apply it to your images, the color and quality of your winter photos will suffer.
It is difficult enough to create a beautiful nude image under normal circumstances, much less in the cold and snow. You need to bring some significant skills and experience to the task. So does your model.
You can photograph the night sky year around, but winter brings an added bonus: SNOW! When you don’t have the benefit of moonlight, most of the year land forms a dark to black silhouetted skyline against the night sky. In winter you have the possibility of including the highly reflective snow. You can see both in this photo. Any place not covered with snow is very dark to black. Having reflective snow is why winter is the favorite time of year for a lot of photographers to go out and photograph the night sky.
Just like metering daytime winter scenes, the key to metering evening winter scenes is knowing what to meter and deciding how much exposure compensation to use.
Most wildlife are medium to dark in tone, making them a challenge to meter properly in the bright, white tones of winter. If you trust one of your camera’s automatic exposure modes, the odds are good you won’t get the best exposure. If you switch over to manual exposure and make the right decisions, you can get great exposures and better quality photos (more about that later).
Metering dark toned wildlife in the snow is a major exposure challenge. It is usually best to avoid large “burned out” areas (washed out, featureless white) in a nature or landscape photograph, but with properly exposed snow, the wildlife can be so dark as to lose all texture. On other hand, metering for the wildlife can burn out the snow. So what do you do? And what about the complications of metering white animals?
The white snow in a winter scene can and often does fool a camera meter into underexposing a portrait, so here are the steps to take to get the right exposure. I throw in a few portrait suggestions too.
Metering for scenes with a lot of snow can be tricky since the bright snow fools the camera meter. I see a lot of winter photos with gray snow, which means the camera meter did exactly what it was designed to do. The solution is quite simple provided you know what to do.
In addition to all of the usual photographic challenges, winter provides some extra complications, especially in terms of metering. So I began this series of articles on winter photography. Check out the links below. The articles will help you meet the unique challenges of winter photography. So get out there, have fun, and create some great winter images!
Jewel Box Lighting is a name given to photos taken in the evening when lighted buildings, monuments, bridges, and Christmas lights look so nice against the deepening sky colors. This article will show you how to do it with a digital camera. If you are using a film camera, read this article.
Jewel Box Lighting can be very effective at Christmas. I was one my way home and spotted this house. The sky was just about perfect for Jewel-box lighting so I stopped in the street (after making sure no cars were coming), rolled down my car window, and grabbed quick photo with my iPhone.
Jewel Box Lighting is the art of combining lights, lighted buildings, or lighted objects with a deep blue evening sky. It is a great way to do photography and the exhibit this week at the Franklin Park Observatory is a wonderful opportunity to practice this technique and come away with some unique and memorable images.
“Jewel Box Lighting” is a technique for photographing lighted buildings, city lights, or Christmas lights in late evening light so it looks like night but there is some color left in the sky. For lighted buildings it works best if the exterior of the building is at least partially lit by flood lights. The technical challenge is to balance the lighting on the building with the deep blue of the sky.
We spent most of the Christmas holiday in the Bay Area visiting family. When we left the Bay Area the morning of December 30, 1990, we decided to make a side trip to Yosemite before making the long drive home.
Kristin wanted to know if we could squeeze in a photo shoot while she was home for the holidays. “Of course”, I said. December 29 was the day that worked for both of us. Despite the sunshine, the windchill was 26° during our shoot. We were texting Christmas greetings to each other today and I reminded her how cold it was for this photo shoot. She didn’t realize it was that cold. She was caught up in the shoot.
Snow glistens in the last light of dusk.
Distant clouds glow with the fading light from the sun, long since set.
39% of Americans never backup their data. That’s not good. Another 19% do this only once per year. No wonder so many people lose important files and photos if they have a hard drive crash.
Your camera falls down a mountainside or off a cliff. An unexpected rogue wave drenches your valuable photo gear in salt water. Your photo backpack is stolen from your home, motel room, or trunk of your car. To add insult to injury, you learn your homeowner’s insurance will not replace the value of your damaged or stolen gear.
Welcome to my online buying guide for photographers. With over 80 articles it is one of the most comprehensive photography buyer’s guides on the web.
I get lots of photo questions, especially at this time of year, and many of them begin with “What is the best . . . .” They usually come from photographers or someone who is shopping for a photographer. If you are shopping for yourself, or for a photographer in your life, this series is for you.
My “best of the best” series recommends the best photo gear, accessories, software, books, DVDs, online photo labs, and a whole lot more. Thanks to the information in these articles I get emails from photographers thanking me for saving them time, frustration, and a lot of money.
This article is reposted annually in November with some updates in between. Reposted: November 30, 2024. Most recent update: December 19, 2024.