Testing Topaz Gigapixel AI on a 1960s Family Photo

Family photo from the late 1960s.

At a family reunion several years ago I decided to make digital copies of some old family photo albums. I did one digital picture of each page (there were several photos on each page). When I got back home I digitally separated the individual photos that were on each page. This particular image is a family favorite. I decided this image would be a good test of Topaz Gigapixel AI which enlarges, and hopefully improves small photos. The original photographic print also has a lot of damage which created some additional problems.

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How to Shoot With and Protect Your Camera Gear in Hot Weather

Covered camera during a shooting break.

Summer is here and that means hot weather. So it is time for a “save your camera gear” reminder. Camera gear has a temperature and humidity rating. A top of the line Canon camera body has a limit of 115°F and 85% or less humidity. A black camera on a hot day can easily exceed that limit. Less expensive cameras of any brand have lower limits so it is important to protect your gear.

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Sora at Lake LaShane

Sora, Lake LaShane

I was leaving Lake LaShane when a white flicker caught my eye. I stopped the car for a better look. Not far from a cluster of reeds, a small bird was wading in a shallow part of the lake. Its tail feathers were flicking up and down. It was the white underside that caught my eye.

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Lamoni Band Concert

Lamoni band concert. 7th – 12th grade band.

The Lamoni schools band concert was May 12. The 5th and 6th grade band performed first and then the 7th – 12th grade band. This is a selection of images from the concert.

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Rate and Name Your Digital Photos!

Goldfinch, camera LCD. iPhone photo.

Sometimes I click the shutter and it might be one of my better photos. After the action dies down I go back to that photo and zoom in on the back of the camera for a better look. In this case of this Goldfinch this morning, I wanted to be sure the catch light in the eye was sharp. It was so, I pushed the RATE button (left side of the camera) three times. At the top of the photo screen you can see three little stars in brackets.

When I download the photos with Adobe Bridge (which is excellent software and it is a free download), I can click on the three star icon and Bridge will show me just the three star rated images.

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Portraits 6 – Sunlight as Your Main Light

Vassanta, Lake Michigan
Vassanta, Sunset at Lake Michigan.

If you want to improve your portrait photography it is really best if you start with the prior articles in this series before you tackle direct sunlight. Having said that, sometimes the sun works really well as the main light for portraits. Technically speaking, this image is not a “traditional” portrait, but it is one of my favorite images of Vassanta.

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Portraits 2 – Sunlight Can Be Really Bad Portrait Light

Ava in nice, soft light with no sunlight on her face.

The single most important rule, 99 times out of 100, is to not have people face the sun. Sunlight is harsh. Sunlight is bright and it makes people squint. Sunlight magnifies every flaw and imperfection in human skin. It exaggerates every line, crease, pore, and wrinkle. If you are photographing the weather-worn face of a Maine lobster fisherman, fine, shoot in the sunlight. The harsh will help that kind of photo. But for everyone else, most of the time you should keep them out of the sunlight.

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Portraits 1 – Introduction

Portrait Collage

This series of short posts was inspired by a look at some portfolios by other photographers. The photos ranged in quality from ok to not very good. If I was handing out grades they would range from B to F. One of the key issues was bad lighting. If you are new to portrait photography, this series if for you. The suggestions in these articles will make a big difference in the quality of your images. These articles are all about how to use and not use sunlight.

Links

Portraits 1 – Introduction (this brief article)

Portraits 2 – Sunlight Can Be Really Bad Portrait Light

Portraits 3 – Shoot On Cloudy Bright Days

Portraits 4 – On Sunny Days Use Open Shade

Portraits 5 – On Sunny Days Use the Sun as Backlight

Portraits 6 – Sunlight as Your Main Light

Choosing Favorites from a Photo Shoot

Adobe Bridge: Screen capture of a few photo shoot images.

As is my custom at the end of photo shoot, I handed my camera to Beth and asked her to pick our her favorites. She turned the thumb dial on the back of the camera to go through the photos and she read the four digit file numbers of her favorites, I wrote them down. If she said something like “I especially like this one!” I put down a star by that file number.

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All the Photos from a Photo Shoot

Adobe Bridge: screen capture of all the photos from a typical portrait shoot. Click the image to see a larger version.

You are looking at all of the thumbnails for every click of the shutter on a 4 1/2 hour photo shoot (that also includes travel time to a remote location, plus the time for us to go through all the photos and pick our favorites).

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Annual Enactus “Roundtable” at Graceland University

Students and faculty are welcomed to the Entrepreneurial Roundtable.

The Enactus program at Graceland University does the “Entrepreneurial Roundtable” event yearly in the spring.  Thursday, March 30, Graceland students gathered for the day to hear remarkable stories from Graceland Grads who shared their life experiences.  At the banquet, business school faculty presented awards.

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The Best National Parks to Photograph in Spring

 Ocotillo. Big Bend National Park. Texas.

Ocotillo. Big Bend National Park, Texas.

Which national parks are at their very best in the spring? If I could go on a fabulous spring photography trip to the national parks of my choice, all expenses paid, which ones would I pick? Here are my choices, grouped by state from west to east. This list includes the favorites I have been to and want to go back to again, plus the ones I haven’t seen and most want to photograph.

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Portraits: Patterned Cloth As A Backdrop

Candy Poses

I was in a fabric store looking for lightweight (thin), white cloth with a pattern that I could use as a backdrop. My plan was to put a studio light behind the cloth and shoot through the cloth at my subject. The light would wrap around my subject. I had to experiment with the output of the studio light to get the look that I wanted. I was pleased with the final result.