Testing your camera’s color exposure latitude is a key to getting good color in your digital photographs. This is a sequel to The Best Colors Come From the Best Exposures. I would suggest you read that article first.
Category Archives: Using Equipment
RGB vs Luminance Histogram
If your camera offers both RGB and luminance histograms, choose RGB. An RGB histogram is one of your most valuable exposure tools. A luminance histogram can lead to bad exposures and poor colors.
Photo Shoot: Many Faces
My initial mission was to get a “normal” portrait of my four year old grandson in front of the Christmas tree. As often happens with young children, things went a little differently than I expected.
Photo Shoot: Using a Halo Softbox with a Yongnuo Radio Controlled Flash System

Kristina. Sunlight coming from the right. Halo softbox with Yongnuo speedlite providing light from the left.
After testing a Bob Davis 45 inch Halo Softbox and Yongnuo YN600EX-RT radio flash on my most available model (my dog), I needed to test it out on a real model. Opportunity called in the form of a message from Kristina, a professional model based in Los Angeles (and an absolute delight to work with). She would be in Ohio for Thanksgiving and she wanted to schedule a shoot. I was leaving town for Thanksgiving, but fortunately for us we had one day to shoot after she arrived and before I left.
Using the Histogram to Check Studio Flash Exposures
When using studio flash units, usually the best way to check your exposures is to use an incident light meter which is capable of metering flash exposures. But what if you don’t have an incident flash meter? Or what if you have a subject that absorbs a lot of light? Or a subject that reflects a lot more light than your typical photographic subject? You can double check your exposure settings by using the histogram on your camera. FYI: Do not trust the LCD image on the back of your camera to judge your exposures.
How to Photograph the Milky Way

The Milky Way from Horseshoe Park, Rocky Mountain National Park. The golden glow is from Denver city lights 70 miles away. The blue hues of late twilight are fading in the west. Click for a larger image.
On all of my weekend nature photography workshops, weather permitting I take everyone out once or twice to photograph the night sky. For those who haven’t tried it before, it kicks down the door to a whole new realm of photographic possibilities, and not just for night photography. Once a photographer tries one thing that is totally new and different and ends up with beautiful images they are proud of, they are ready to try all kinds of new things.
Deer in the Headlights – Literally
A “deer in the headlights look” is a common euphemism so I couldn’t resist taking some pictures when a deer was literally in my headlights. I was driving around Yosemite Valley taking pictures in the moonlight when I came upon two bucks browsing on the side of the road.
In a Photo Rich Environment: Be Prepared

Front seat camera gear. Canon 5D Mark III with Canon EF 24-105mm f/4 lens. Canon 7D Mark II with Canon EF 70-300mm f/4.5-5.6 DO IS lens.
You probably recognize the scout motto: “Be Prepared!” It also applies to photography. When I am in a photo rich environment, especially if there is a possibility of seeing wildlife, I usually have two cameras and lenses on the front seat next to me, all ready to go.
POTD: Stars Trails Over El Capitan

Stars over El Capitan with climbers on the granite cliffs. Yosemite Valley. This is a stacked image combing 8 separate exposures. Click to see a larger version.
El Capitan is a splendid sight in Yosemite Valley. Small wonder that for decades photographers have been showing up in droves to photographic the iconic granite cliffs. It is the largest block of exposed granite on our planet.
How to Create a Stacked Image of the Night Sky

Venus, Jupiter, stars, and airplane lights. Fremont, California. 27 separate images stacked together. Click to see a larger version.
It is a handy thing to know how to stack multiple night sky images into one photo. It allows you to create one stacked image covering a long period of time (using multiple photos) when it is not possible to make one long exposure of the night sky. What is a stacked image? Several images taken over a period of time which are combined to create one image fro the whole time period. This tutorial will show you how to create one.
Panorama: Yosemite Valley in the Moonlight

Yosemite Valley at Night with Eagle Peak, Yosemite Point, and North Dome. The vertical light near the center is one of two planes that ended up in this image. Click to see a larger version.
Night photography has its own unique charms, whether it is a dark night with no moon and thousands of crystal clear stars, or with plenty of moonlight which (if you choose) you can turn night into day. And it isn’t all that complicated to do. With the addition of the right gear, you can turn your night time vista into a panoramic photo.
Preferences Part Two: Shutter Speeds and ISO Settings

Folder opened with Adobe Bridge. You are looking at 128 images out of over 1800 images in the folder. Click to see a larger version.
I was asked recently if I have a favorite focal length, lens, or aperture setting (see Preferences Part One). And I have also been asked if I have favorite shutter speeds and ISO Settings. So I decided to open a folder with over 1800 of my images (a little of everything) and take a look at my shooting preferences from a statistical point of view. I chose a folder that has a wide variety of subject matter and a high number of images. I used Adobe Bridge for the way it gathers metadata statistics (see the prior article).
POTD: El Capitan Reflection
With one camera on a tripod taking a series of aligned images of Gates of the Valley (see my last article) in the changing light, I was using my other camera with a longer lens to capture different areas of the overall scene.
How to Photograph “Gates of the Valley”
Preferences Part One: Focal Lengths, Lenses, and Apertures

Folder opened with Adobe Bridge. You are looking at 128 images out of over 1800 images in the folder. Click to see a larger version.
I was asked recently if I have a favorite focal length, lens, or aperture setting. And I have also been asked if I have favorite shutter speeds and ISO Settings (see Preferences Part Two). So I decided to open a folder with over 1800 of my images (a little of everything) and take a statistical look at what I do.
(This article was originally written Nov. 11, 2015 and revised Nov. 13, 2015.)
Using the Histogram to Check Studio Flash Exposures
Garden Photography Interview for the Akron Beacon Journal
It all started October 9 with an email from Mary Beth Breckenridge, asking if she could interview me early this week for an article in the Akron Beacon Journal. She wanted to interview several photographers and get our suggestions for creating garden photos with a camera phone.
The “Super Blood Moon” Lunar Eclipse
Sunday evening, September 27, I was leading a photography workshop in Rocky Mountain National Park. We were in pursuit (along with half the rest of the world) of the eclipse of the “Super Blood Moon”.
POTD: The Maroon Bells by Moonlight

The Maroon Bells and Maroon Lake by Moonlight with the Milky Way. Colorado. Click to see a larger version.
The Maroon Bells deserve their reputation as one of the best photo locations in the state of Colorado, especially in the fall. They look just as spectacular by moonlight. It is an added bonus if you get a hint of the Milky Way in the frame (left side of the image). It won’t be as sharp and defined as on a dark night without the moon, but it will be there.
How to Use Your Camera’s Exposure Compensation Scale
The exposure compensation scale on your camera is one of the keys to mastering exposures, getting better images, and ending up with professional quality colors. This means taking your camera off of full auto mode and taking control of your own exposures.
How to Photograph the International Space Station

Light Path of the International Space Station. August 1, 2015. 10:05 – 10:09 pm EDT. Click to see a larger version.
The International Space Station (ISS) passes over Columbus Ohio. It isn’t that hard to find and it is relatively easy to photograph. In this photo the light path curves below the center of the frame from lower left to upper right (click to see a larger image). There are also airplane lights in the lower right corner of the frame. The stars are slightly streaked due to the motion of the earth during the long photograph.
POTD: Wood Poppy
On my way home from my photography workshop in Grand Rapids/Holland, another photographer and I stopped at West Lake Nature Preserve in Portage, Michigan. It is one of my favorite nature photography locations in southwest Michigan. Something is happening there most any time of year.
Digital Noise: ISO 3200 vs ISO 100
When you need to shoot an event without a flash in low light, high ISO settings are the rule of the day. I have some very good news, and some bad news.
Setting a Custom White Balance Will Save You a Lot of Time
Setting a “Custom White Balance” at the beginning of a photo shoot will save you a lot of time. It will only take a minute or so and can save you a lot of work later on. Think how long it would take you to color correct 250 images.
POTD: Horses at Sunset
I spent a day in western Michigan scouting field trip locations for a photography workshop. With the day almost over, I was driving south on M-40 near Allegan when the clouds began to part and some beautiful light began to develop to the west.
Protect Your Camera Gear in the Cold and Snow
Cold and snow can cause a lot of damage to your camera gear. A few simple steps could save you hundreds of dollars in repair bills.
Thomas Jefferson Memorial: Taking Pictures From A Moving Car
I don’t usually recommend taking pictures from a moving car, but we were coming up to the Jefferson Memorial and I liked the light and the rippled reflection in the water. In the busy DC traffic, asking the driver to stop the car in the street was a recipe for disaster (and there was no place to pull over). I had to grab this shot on the fly which, from a fast moving car, is harder than you might think.
POTD: The Milky Way, Rocky Mountain National Park
Although there is some sky glow from the cities along Colorado’s front range, you can still get some nice photos of the Milky Way from Rocky Mountain National Park.
POTD: “The Back”
This photo is all about the back muscles. This is another photo from my shoot with Sarah who is a professional fitness trainer.
POTD: Sarah (How To Do A Fitness Portrait)
Sarah is a professional fitness trainer and we have worked together before. We had another photo shoot Saturday morning and this is the first photo I optimized from the shoot.