Civil War reenactors go to great efforts to make sure their clothes and equipment are authentic to the era. So if you want your reenactment images to look authentic it is important that you pay attention to the background. Any large farm equipment, civilian clothes (including cargo shorts), small digital cameras, buildings, and paved streets need to be authentic to the 1860s. And of course if you want a really authentic look, convert your image to black & white.
Category Archives: Techniques
Civil War Days: How to Capture a Muzzle Flash
A Civil War reenactment means catching some of the action. Catching a muzzle flash is ideal. How do you do this? You need the right kind of event, a good shooting location, and the proper technique.
POTD: Kristin in the Shade with a Touch of Fill Flash
Cloudy bright days are great for portrait photography. No harsh shadows. Soft even, flattering light. So what do you do in the harsh light (at least for most portrait photography) of a bright, sunny day?
A Portfolio Image for a Modeling Agency
This is good news. Kristina wrote this afternoon to tell me her modeling agency wants to use this image as her main commercial shot for their website. Modeling agencies are very particular about the type and quality of images they use, so this made my day!
Seven Simple Photography Hacks from COOPH
Most of these have been around for a long time, but they are still effective. And cheap!
Simple Steps to Better Portraits
This photo is pretty close to a “to do” list for portrait photography. Focus on the eyes. Shoot in soft light. Have the face at a slight angle. Use a short telephoto focal length. Have the camera lens just above eye level. Use a non-obtrusive background. Give the subject something to do. Move in close for extra impact. Portrait rules to be followed and broken. So when do you follow the rules and when do you break them?
POTD: “A Moment of Discovery”
When you are photographing very active children around 2 1/2 years of age, it is often best to just follow them around and let them do their thing, rather than try to “pose” them. I followed my grandson around my backyard for almost an hour, taking pictures and hoping to get just the right image. To get the best point of view I needed to be on my knees. Spending that much time on your knees is hard on the knees, but what else can you do? When you photograph children you need to be down on their level.
How To Photograph Fireworks
You can point your camera at the sky in auto exposure and autofocus modes and fire away whenever you see a burst of fireworks, but for the best quality photos, it helps to know a few tricks of the trade. It’s easy when you know what to do.
The Nine Minute Photo Shoot
You can do a lot in just a few minutes, especially if you and your subject have worked together before.
A Photography How To: “Jewel Box Lighting” at the Franklin Park Conservatory
Jewel Box Lighting is the art of combining lights, lighted buildings, or lighted objects with a deep blue evening sky. It is a great way to do photography and the exhibit this week at the Franklin Park Observatory is a wonderful opportunity to practice this technique and come away with some unique and memorable images.
Creating a Portrait Using Window Blind Shadows – Part 2
There are a lot of creative options when creating portraits using sunlight streaming through window blinds.
How to Create a Portrait Using Window Blind Shadows – Part 1
One of the things I like about winter is the sunlight streaming through my studio windows at a low enough angle to create portraits using window blind shadows. In the summer the sun is too high for me to do this and get the angles I want.
Metering People in the Snow
The snow in a winter scene will often fool a camera meter into underexposing a photo, so here are the steps to take to get the right exposure. I throw in a few portrait suggestions too.
A February Night in Rocky Mountain National Park
Rocky Mountain National Park can be beautiful any time of year, including late February when I created this image. It’s not too late to catch the splendor of a RMNP winter, and February is a good month to go.
Mixing Flash and Ambient Light for a Christmas Portrait
On Christmas eve I found myself doing Christmas portraits for a friend’s portfolio (she is an agency represented model). There isn’t a lot of space in our living room when the Christmas tree is up so I had to improvise a bit with the lighting and I needed to get the right mix of flash and ambient light for the look I wanted.
POTD: Expectations
To my eyes there are very few things on the planet that are as beautiful as a mother looking forward to the birth of her child. I love beautiful “baby bump” photography.
Camera Choices: Using Full Size Test Images from DPReview.com
I’ve been recommending DPReview for years in my photo classes and online. It is one of the best camera review sites. One of the nice features is the ability to download full size JPEG test images of their “standard studio scene” for comparison purposes.
Q & A: Hyperfocal Distance and Wide Angle Lens Converters
The following question came today via email. I occasionally post some of the questions that come my way, along with my answer.
Question: Does the hyperfocal distance of a prime lens remain the same when a wide angle converter is attached to the lens?
POTD: Sunrise, Gibraltar Island, Lake Erie
This sunrise photo was taken at last year’s outdoor photography workshop hosted by OSU’s Stone Laboratory on Gibraltar Island. The workshop this year starts tomorrow.
POTD: Backyard Portrait on a Sunny Day
Sunlight is usually too harsh for portraits so I try to avoid full sun on the face when shooting outside. My usual choices are to shoot in the shade or put the sun behind my subject (as in the case of this photo).
How to Photograph Fireworks
You can point your camera at the sky in auto exposure and autofocus modes and fire away whenever you see a burst of fireworks, but for the best quality photos, it helps to know a few tricks of the trade. It’s easy when you know what to do.
POTD: Window Light Portrait
One of my grandsons was sitting next to me in my office looking intently at photos on my computer monitor. The moment was too good to miss so I grabbed a camera.
Wedding Photography Advice For the Non-Professional
Q&A: Wedding Photography
I recently had the following online conversation with a friend who is an experienced photographer (which explains why I didn’t answer some of these questions in more detail).
POTD: Petrified Dunes, Zion National Park
Zion National Park is well know for its towering sandstone cliffs, but it has other treasures for the photographer willing to look, like these petrified dunes.
Keep a Photo Trip Log
A photo trip log is a good way to refresh your memory. It comes in very handy when you want to find a photo location again if your photos aren’t GPS tagged, and a photo log is very useful when a photo editor wants the details on one of your photos. This photo is of two pages out of a total of four pages of notes I made on April 25, 2011.
POTD: Piano Reflection Portrait
This portrait is from a spontaneous photo shoot. I had three great subjects (sisters), perfect light, and a baby grand piano to work with, and I almost always have a camera and one or more lenses with me.
Bride’s Portrait: Solving Mixed Lighting Challenges with ACR
Mixed lighting (lighting with different color temperatures) can be a real color nightmare, especially if you are shooting JPEG files. Shooting RAW files and processing them with Adobe Camera Raw (ACR) is one of the best solutions to the problem. ACR comes with recent versions of Photoshop Elements and Photoshop.
POTD: The Moment of Birth!
There are very few moments on earth that match the birth of a baby. Such wonder, awe, and love. It was a privileged to be asked by the parents to be there and photograph the big event.
POTD: A Few Minutes Old
I had the happy privilege of being asked to photograph the birth of a baby boy. The mother found some of my photos on the internet, she was impressed with my work, and sent me an email asking if I was interested in photographing the delivery of her son. Of course I was!