Authenticity in Civil War Photography

Civil War Days, Lamoni, Iowa

Civil War Days, Lamoni, Iowa

Civil War reenactors go to great efforts to make sure their clothes and equipment are authentic to the era. So if you want your reenactment images to look authentic it is important that you pay attention to the background. Any large farm equipment, civilian clothes (including cargo shorts), small digital cameras, buildings, and paved streets need to be authentic to the 1860s. And of course if you want a really authentic look, convert your image to black & white.

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Simple Steps to Better Portraits

Portrait in the Park

Portrait in the Park

This photo is pretty close to a “to do” list for portrait photography. Focus on the eyes. Shoot in soft light. Have the face at a slight angle. Use a short telephoto focal length. Have the camera lens just above eye level. Use a non-obtrusive background. Give the subject something to do. Move in close for extra impact. Portrait rules to be followed and broken. So when do you follow the rules and when do you break them?

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POTD: “A Moment of Discovery”

A Moment of Discovery

A Moment of Discovery

When you are photographing very active children around 2 1/2 years of age, it is often best to just follow them around and let them do their thing, rather than try to “pose” them. I followed my grandson around my backyard for almost an hour, taking pictures and hoping to get just the right image. To get the best point of view I needed to be on my knees. Spending that much time on your knees is hard on the knees, but what else can you do? When you photograph children you need to be down on their level.

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A Photography How To: “Jewel Box Lighting” at the Franklin Park Conservatory

Bruce Munro: Light. Franklin Park Conservatory

Bruce Munro: Light. Franklin Park Conservatory

Jewel Box Lighting is the art of combining lights, lighted buildings, or lighted objects with a deep blue evening sky. It is a great way to do photography and the exhibit this week at the Franklin Park Observatory is a wonderful opportunity to practice this technique and come away with some unique and memorable images.

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Mixing Flash and Ambient Light for a Christmas Portrait

Kristina at Christmas

Kristina at Christmas

On Christmas eve I found myself doing Christmas portraits for a friend’s portfolio (she is an agency represented model). There isn’t a lot of space in our living room when the Christmas tree is up so I had to improvise a bit with the lighting and I needed to get the right mix of flash and ambient light for the look I wanted.

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Q & A: Hyperfocal Distance and Wide Angle Lens Converters

Autumn Path, Michigan. Depth of Field complements of a Hyperfocal Distance Chart

Autumn Path, Michigan. Depth of Field complements of a Hyperfocal Distance Chart

The following question came today via email. I occasionally post some of the questions that come my way, along with my answer.

Question: Does the hyperfocal distance of a prime lens remain the same when a wide angle converter is attached to the lens?

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Keep a Photo Trip Log

Photo Trip Log

Photo Trip Log

A photo trip log is a good way to refresh your memory. It comes in very handy when you want to find a photo location again if your photos aren’t GPS tagged, and a photo log is very useful when a photo editor wants the details on one of your photos. This photo is of two pages out of a total of four pages of notes I made on April 25, 2011.

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Bride’s Portrait: Solving Mixed Lighting Challenges with ACR

Before and After ACR

Before and After

Mixed lighting (lighting with different color temperatures) can be a real color nightmare, especially if you are shooting JPEG files. Shooting RAW files and processing them with Adobe Camera Raw (ACR) is one of the best solutions to the problem. ACR comes with recent versions of Photoshop Elements and Photoshop.

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