Last Light on El Capitan, Yosemite National Park
In addition to all of the usual photographic challenges, winter provides some extra complications, especially in terms of metering. So I began this series of articles on winter photography. Check out the links below. The articles will help you meet the unique challenges of winter photography. So get out there, have fun, and create some great winter images!
Kristina in the Snow
The white snow in a winter scene can and often does fool a camera meter into underexposing a portrait, so here are the steps to take to get the right exposure. I throw in a few portrait suggestions too.
Kristina at Christmas
On Christmas eve I found myself doing Christmas portraits for Kristina’s portfolio. She is a friend of mine who is a model and actress in L.A.. There isn’t a lot of space in my studio when the Christmas tree is up so I had to improvise a bit with the lighting and I needed to get the right mix of flash and ambient light for the look I wanted.
Christmas Lights, Easton Shopping Center, Columbus, OH
‘Tis the season and there are a lot of Christmas lights out there to photograph. It is fun and easy, and with a few tricks up your sleeve there are creative things you can do. Many of these techniques can be used on other lights throughout the year, so this is a good time to practice your skills for photographing lights.
O’Haver Lake, Mt. Ouray, Colorado.
You have heard it said a lot, and maybe said it yourself: “This picture doesn’t do the scene justice.” That is often true and for several reasons. One is that digital cameras do not capture reality. No matter how fancy or expensive, digital cameras simply do not capture what your eyes see. That is also true with film cameras. All color photographic films have different color characteristics. Some have better reds, others have better greens or blues. Some are more saturated and others less saturated. But none of them are totally color realistic. So why don’t digital cameras give you realistic images and what can you do about it?
Originally posted December 16, 2015. Revised, expanded, and re-posted May 4, 2018. Updated October 31, 2018.
Total Lunar Eclipse, Super Blood Moon, Rocky Mountain National Park, Colorado, September 27, 2015
Here in North America, Wednesday morning, January 31, you have your chance to photograph the first supermoon total lunar eclipse since September 2015. This article will show you how. Continue reading
Denali Sunrise from Reflection Pond
The Sunny f16 rule is really useful on bright sunny days in the spring, summer, and fall, but you can’t rely on it on bright, snowy winter days. It will often lead you astray. There are much more accurate ways to meter in the winter.
Cascade, Barry, and Coxe Glaciers, Prince William Sound, Alaska
The “snow exposure latitude” for every camera is different. You won’t find it in your camera’s manual but it is easy to determine with a do-it-yourself test. Why does it matter? If you don’t know the snow exposure latitude for your camera and how to apply apply it to your images, the color and quality of your winter photos will suffer.
Twilight, Rocky Mountain National Park. Sirius, Canis Major, Orion, Taurus, the Hyades star cluster, and the Pleiades star cluster are all visible in the fading light. Click for a larger version.
You can photograph the night sky year around, but winter brings an added bonus: SNOW! When you don’t have the benefit of moonlight, most of the year land forms a dark to black silhouetted skyline against the night sky. In winter you have the possibility of including the highly reflective snow. You can see both in this photo. Any place not covered with snow is very dark to black. Having reflective snow is why winter is the favorite time of year for a lot of photographers to go out and photograph the night sky.
Snow Hummocks, Merced River
Just like metering daytime winter scenes, the key to metering evening winter scenes is knowing what to meter and deciding how much exposure compensation to use.
Cougar
Most wildlife are medium to dark in tone, making them a challenge to meter properly in the bright, white tones of winter. If you trust one of your camera’s automatic exposure modes, the odds are good you won’t get the best exposure. If you switch over to manual exposure and make the right decisions, you can get great exposures and better quality photos (more about that later).
Elk in the Snow, Horseshoe Park, Rocky Mountain National Park, Colorado
Metering dark toned wildlife in the snow is a major exposure challenge. It is usually best to avoid large “burned out” areas (washed out, featureless white) in a nature or landscape photograph, but with properly exposed snow, the wildlife can be so dark as to lose all texture. On other hand, metering for the wildlife can burn out the snow. So what do you do?
Kristina in the Snow
The white snow in a winter scene can and often does fool a camera meter into underexposing a portrait, so here are the steps to take to get the right exposure. I throw in a few portrait suggestions too.
Mount Hunter from a Bush Plane. Denali National Park. Alaska.
Metering for scenes with a lot of snow can be tricky since the bright snow fools the camera meter. I see a lot of winter photos with gray snow, which means the camera meter did exactly what it was designed to do. The solution is quite simple provided you know what to do.
Last Light on El Capitan, Yosemite National Park
In addition to all of the usual photographic challenges, winter provides some extra complications, especially in terms of metering. So I began my series of articles on winter photography. Check out the links below. The articles will help you meet the unique challenges of winter photography. So get out there, have fun, and create some great winter images!
Reflected light can be beautiful. When you catch a rare moment with great light, take advantage of it.
Snowy Owl
What is a Snowy Owl expedition really like? This article is your chance to find out. Join me for a two day photo safari! I give you tips and photo suggestions along the way, and you get to see how I prepare, plan, and adapt on a photo trip. This is also about what to do when things don’t go according to plan.
Snowy Owl Sightings, January 2016
Winter is your opportunity to photograph Snowy Owls. When it is cold enough and there is enough snow cover, snowy owl move down into the northern U.S. The colder it is the farther south they move. If conditions are right, don’t delay. If the winter turns warmer the snowy owls will head farther north.
This is the first in an ongoing series of articles on Snowy Owl photography. Originally posted January 25, 2016. Revised and re-posted Jan. 1, 2018. Updated January 10, 2019.
I get lots of photo questions and many of them begin with “What is the best . . . .” They usually come from photographers or someone shopping for a photographer.
Here is my list of “best of the best” of articles recommending the best photo gear, software, books, DVDs, calendars, online photo labs, and a whole lot more.
Originally posted Nov. 1, 2017. Most recent update: Dec. 20, 2017.
Christmas Lights, iPhone Photo
The photo abilities of smartphones have improved dramatically in the last few years, especially in low light situations. Just point your camera phone at the lights and click the shutter. Exposure can be a bit iffy. If the photo looks too light or too dark and your phone will allow you to alter the exposure, take advantage of that feature.
Sarah, Professional Fitness Trainer
When using studio flash units, usually the best way to check your exposures is to use an incident light meter which is capable of metering flash exposures. But what if you don’t have an incident flash meter? Or what if you have a subject that absorbs a lot of light? Or a subject that reflects a lot more light than your typical photographic subject? You can double check your exposure settings by using the histogram on your camera. FYI: Do not trust the LCD image on the back of your camera to judge your exposures.
Incident Light Meter. Photo © Jim Doty Jr.
There’s no question that in some complex metering situations, an incident light meter can be quicker, faster, simpler, and more accurate than the meter in your camera. Many incident light meters can also measure light from an electronic flash, a huge bonus when you are using a flash in the manual mode.
Three different exposure combinations at Brandywine Falls, all of them cropped from larger images. Click for a larger version.
Another photographer and I were shooting together yesterday at Brandywine Falls in Cuyahoga National Park. During the time we were there we saw dozens of people taking pictures of the waterfall. Most of them were in full auto-exposure mode, making no personal changes in their exposure settings whether they were photographing the waterfall, each other, or the leaves in the trees. I bet most of them had no idea that they had turned important artistic decisions over to a computer chip.
Camera LCD Display With The Blinkies Turned On. Washed out pixels in the photo are flashing white and black.
Some camera’s come with a highlight overexposure warning, commonly called “the blinkies”. If you have overexposed, blown out pixels, those pixels in your image will flash white and black. A quick look at the LCD image will tell you if part of your image has white, washed out, featureless pixels. If your camera has a highlight overexposure warning, I suggest you turn it on. If you see the blinkies and you don’t want washed out pixels, tone down your exposure until the blinkies go away.
Lyn Marie, Ohio
It is difficult enough to create a beautiful nude image under normal circumstances, much less in the cold and snow. You need to bring some significant skills and experience to the task. So does your model.
Selina, Downtown Columbus, Ohio.
You would think a windchill of 4° Fahrenheit (-16°C) would be too cold for a photo shoot, but not with some models. We booked this January shoot weeks in advance so we knew it would be cold, but we had no idea how cold until the day arrived. Here’s the story behind this image and how to work with a model when it is so cold.
Denali Sunrise from Reflection Pond
The Sunny f16 rule is really useful on bright sunny days in the spring, summer, and fall, but you can’t rely on it on bright, snowy winter days. It will often lead you astray. There are much more accurate ways to meter in the winter.
Cascade, Barry, and Coxe Glaciers, Prince William Sound, Alaska
The “snow exposure latitude” for every camera is different. You won’t find it in your camera’s manual but it is easy to determine with a do-it-yourself test. Why does it matter? If you don’t know the snow exposure latitude for your camera and how to apply apply it to your images, the color and quality of your winter photos will suffer.
Twilight, Rocky Mountain National Park. Sirius, Canis Major, Orion, Taurus, the Hyades star cluster, and the Pleiades star cluster are all visible in the fading light. Click for a larger version.
You can photograph the night sky year around, but winter brings an added bonus: SNOW! When you don’t have the benefit of moonlight, most of the year land forms a dark to black silhouetted skyline against the night sky. In winter you have the possibility of including the highly reflective snow. You can see both in this photo. Any place not covered with snow is very dark to black. Having reflective snow is why winter is the favorite time of year for a lot of photographers to go out and photograph the night sky.
Snow Hummocks, Merced River
Just like metering daytime winter scenes, the key to metering evening winter scenes is knowing what to meter and deciding how much exposure compensation to use.