On a regular basis I put together a collection of articles recommending the best photo gear, books, DVDs, software, calendars, online photo labs, and a whole lot more. This is the most recent update (Sep. 22, 2014). The list follows.
Ansel Adams At His Best
I walked into Half Price Books and found Ansel Adams: 400 Photographs. The book itself is a real treasure. 400 hundred photos, one per page, with reproduction values as good as you are likely to find anywhere. The hardcover book, new, was selling for $19.95. That sounded like a great price to me.
Nature Photography Workshop in Colorado
I am very excited about my nature photography workshop this coming weekend in Estes Park Colorado and Rocky Mountain National Park.
Saturday Workshop and Evening Field Trip – Sep 27
The Saturday workshop is a fast paced, fun filled, action packed day, combining intensive classroom explorations with several “go out and shoot” moments to practice the techniques you are learning. The Saturday workshop includes an evening field trip in Rocky Mountain National Park. The Saturday workshop and field trip are limited to 12 participants to allow for plenty of interaction.
Nature Photography Workshop – OSU Mansfield – October 18, 2014
CAPTURING NATURE’S WONDERS
Photography Workshop – OSU – Mansfield Ohio
October 18, 2014 – 9:00 am to 9:00 pm
I am excited. My next nature photography workshop in Ohio is in just four weeks!
Come spend a fun and exciting day learning how to take your nature photography to the next level. You’ll receive “real time” instruction in the field, as well as intensive classroom sessions. In the classroom you will learn the simple steps that make the difference between ordinary snapshots and extraordinary images. Minutes later you will be practicing those steps. You will go home knowing how to create jaw-dropping images!
Deer, Soda Springs, Yosemite National Park
I was drawn to this photo and the thoughts by Shelton Johnson (below) that accompany it. It was posted today to Yosemite National Park’s FaceBook page.
Authenticity in Civil War Photography
Civil War reenactors go to great efforts to make sure their clothes and equipment are authentic to the era. So if you want your reenactment images to look authentic it is important that you pay attention to the background. Any large farm equipment, civilian clothes (including cargo shorts), small digital cameras, buildings, and paved streets need to be authentic to the 1860s. And of course if you want a really authentic look, convert your image to black & white.
Civil War Days: How to Capture a Muzzle Flash
A Civil War reenactment means catching some of the action. Catching a muzzle flash is ideal. How do you do this? You need the right kind of event, a good shooting location, and the proper technique.
POTD: Kristin in a Stairwell, Part 2
A different look from the last photo. Different mood, different expression, different pose, less contrast, color instead of black & white.
Photo Data: Canon 5D Mark III. Canon EF24-105mm f/4L IS USM lens at 70 mm. 1/60 sec, f/7.1, ISO 400.
What To Do When Your Lens Quits
Few things are more frustrating than having a lens quit, especially when you are on an important photo shoot, or a once in a lifetime trip. If you have a modern camera, the failed lens might also be accompanied by an error code on the camera body. On Canon cameras this is usually Error 99.
Sometimes You Don’t Get What You Want
Imagine this image: A well toned fitness trainer running along the beach. She is silhouetted against the water by the beautiful, warm light of the rising sun. That was the plan for yesterday morning. It didn’t happen. It went down like this. . .
POTD: Union Soldier
Photographing a Civil War reenactment involves capturing the action of the battle but it also means looking for individual faces.
Finding the Peak Fall Color at the Best Locations
Fall color is sweeping the country. To make the most of it, you want to be at the right place at the right time. With some help from the internet, I will help you find the best fall color locations at the peak of the season.
9/11 Tribute – In the Arms of an Angel
Remembering 9/11

Photo by James Nachtwey for TIME magazine.
On this date, thirteen years ago, we experienced a great national tragedy in the United States. Not only in the lives that were lost in the terrorist attacks, the families torn asunder, and the emergency responders who are suffering terrible health problems as a result of working at the scene – but also in the way we view ourselves and our world.
In remembrance of that day, and to honor the lives that were lost, I am posting some tributes.
Bill Biggart’s Last Photos – 9/11

Bill Biggart’s final photograph. He was killed when the second World Trade tower collapsed on top of him. He was 53 years old.
I Believe – A 9/11 Tribute
Oh No! I Lost A Favorite Landscape Photography Book
I was packing the car for a 10 day trip to Iowa, and I picked out a few essential photography books to take with me. My plan was to revisit them in preparation for my upcoming nature photography workshop in Colorado. When I unpacked in Iowa, Joseph Lange’s How to Photograph Landscapes was missing. Oh No!
POTD: Autumn Leaf
POTD: Kristin in a Stairwell
Kristin wanted to do some photos that didn’t look “senior picturey”.
Nature Photography Workshop in Colorado, September 27-28
My nature photography workshop in Estes Park Colorado and Rocky Mountain National Park is just 3 weeks away. I am so excited, I can’t wait.
POTD: Photographers at Twilight
The first evening of our photography workshop for OSU on Gibraltar Island, after some intensive classroom explorations we went out to north point to shoot at sunset and on into twilight. I captured this image of several photographers silhouetted against the evening sky.
POTD: Photography Workshop
This is one of my favorite photos from the nature photography weekend at OSU’s Stone Lab on Gibraltar Island.
Nature Photography Books: The Three Essentials
A good photography book can put you well ahead of the game, and three essential nature photography books (plus maybe a few others) can save you years of time learning things the hard way.
POTD: Kristin in the Shade with a Touch of Fill Flash
Cloudy bright days are great for portrait photography. No harsh shadows. Soft even, flattering light. So what do you do in the harsh light (at least for most portrait photography) of a bright, sunny day?
“What Will I Be Given Today?”
You can blame this (sort of) on Dewitt Jones (I have written about Dewitt before). I pass this fence almost every day as my dog and I walk to the park, but I pay it almost no attention.
A Portfolio Image for a Modeling Agency
This is good news. Kristina wrote this afternoon to tell me her modeling agency wants to use this image as her main commercial shot for their website. Modeling agencies are very particular about the type and quality of images they use, so this made my day!
In Memory of James Foley
Back in the 80s I was a freelance photographer and writer for the Yukon Review, a small town newspaper in Oklahoma. As a part time journalist I didn’t face anything more dangerous than the possibility of being run over by a football player while I took photographs from the sidelines. I did get to rub shoulders with and learn from some fine professionals and I feel a certain kinship to the profession. It saddens me to note the passing of each “conflict journalist”, the brave souls who put themselves in harms way to bring us stories from the war torn parts of the world.
The “Score” and the “Performance”
Ansel Adams, a classically trained concert pianist who became a world class landscape photographer, often said “The negative is similar to a musician’s score, and the print to the performance of that score”. Adams was right. Today we might say the digital camera file is the score and the work in the digital darkroom is the performance. The click of the shutter is an important step in the photographic process but not the end of the process.
Kristin at the Park
Sometimes I haul a lot of equipment to a portrait shoot. I have worked with a lot of models and I’ve noticed that only about 1 out of 10 offers to help carry my photo gear. So an offer to help with my gear usually takes me by surprise and I take note of the thoughtfulness. This young woman is one of the 10%.
Photographing Festivals
If you are looking for bright, colorful subjects to photograph, head for the nearest festival. If you live in one of the nation’s big cities, there are probably several major festivals to choose from. If you don’t, do a little research. Google is your friend.

























