Incident Light Meter. Photo © Jim Doty Jr.
There’s no question that in some complex metering situations, an incident light meter can be quicker, faster, simpler, and more accurate than the meter in your camera. Many incident light meters can also measure light from an electronic flash, a huge bonus when you are using a flash in the manual mode.
Sarah, Professional Fitness Trainer
When using studio flash units, usually the best way to check your exposures is to use an incident light meter which is capable of metering flash exposures. But what if you don’t have an incident flash meter? Or what if you have a subject that absorbs a lot of light? Or a subject that reflects a lot more light than your typical photographic subject? You can double check your exposure settings by using the histogram on your camera. FYI: Do not trust the LCD image on the back of your camera to judge your exposures.
“Deer in the headlights” photographed through a car windshield. Yosemite Valley.
A “deer in the headlights look” is a common euphemism so I couldn’t resist taking some pictures when a deer was literally in my headlights. I was driving around Yosemite Valley taking pictures in the moonlight when I came upon two bucks browsing on the side of the road.
Gates of the Valley (Valley View). El Capitan, Cathedral Rocks, Merced River. Yosemite Natioal Parks. California.
Gates of the Valley, also known as Valley View, is one of the classic photo locations in Yosemite National Park. It is best photographed late in the afternoon and at sunset.
Sarah, Professional Fitness Trainer
Your camera is in love with middle gray. The quicker you learn how to deal with this infatuation, the better your photos will look, including all of your color photos.
Dawn at Sprague Lake, Rocky Mountain National Park
The exposure compensation scale on your camera is one of the keys to mastering exposures, getting better images, and ending up with professional quality colors. This means taking your camera off of full auto mode and taking control of your own exposures.
Last Light on El Capitan, Yosemite National Park
In addition to all of the usual photographic challenges, winter provides some extra complications, especially in terms of metering. So I began my series of articles on winter photography. This year I revised three prior articles and added six new ones. They will help you meet the unique challenges of winter photography. So read the articles, get out there, have fun, and create some stunning images!
Denali Sunrise from Reflection Pond
The Sunny f16 rule is really useful on bright sunny days in the spring, summer, and fall, but you can’t rely on it in winter. It will often lead you astray. There are much more accurate ways to meter in the winter.
Camera LCD Display With The Blinkies Turned On. Washed out pixels in the photo are flashing white and black.
Some camera’s come with a highlight overexposure warning, commonly called “the blinkies”. If you have overexposed, blown out pixels, those pixels in your image will flash white and black. A quick look at the LCD image will tell you if part of your image has white, washed out, featureless pixels. If your camera has a highlight overexposure warning, I suggest you turn it on. If you see the blinkies and you don’t want washed out pixels, tone down your exposure until the blinkies go away.
Cascade, Barry, and Coxe Glaciers, Prince William Sound, Alaska
Exposure compensation is one of the most important keys to good exposures, great images, and the best colors your digital camera is capable of producing. Knowing your camera’s snow exposure latitude is one of the keys to using exposure compensation in a winter scene. It is different for every camera model. You won’t find it in your camera’s manual but it is easy to determine with a simple test.
Horses at sunset, western Michigan
I spent a day in western Michigan scouting field trip locations for a photography workshop. With the day almost over, I was driving south on M-40 near Allegan when the clouds began to part and some beautiful light began to develop to the west.
Twilight, Rocky Mountain National Park. Sirius, Canis Major, Orion, Taurus, the Hyades star cluster, and the Pleiades star cluster are all visible in the fading light. Click for a larger version.
You can photograph the night sky year around, but winter brings an added bonus: SNOW! Instead of the black, silhouetted skyline you get most of the year, in winter you have the possibility of including the highly reflective snow. That is why for many photographers winter is their favorite time of year to photograph the night sky.
Snow Hummocks, Merced River
Just like metering daytime winter scenes, the key to metering evening winter scenes is knowing what to meter and deciding how much exposure compensation to use.
Cougar
Most wildlife are medium to dark in tone, making them a challenge to meter properly in the bright, white tones of winter. If you trust your camera’s auto exposure modes, the odds are good you won’t get the best exposure. If you switch over to manual exposure and make the right decisions, you can get great exposures and better quality photos (more about that later).
Elk in the Snow, Horseshoe Park, Rocky Mountain National Park, Colorado
Metering dark toned wildlife in the snow is a major exposure challenge. It is usually best to avoid large “burned out” areas (washed out, featureless white) in a nature or landscape photograph, but with properly exposed snow, the wildlife can be so dark as to lose all texture. On other hand, metering for the wildlife can burn out the snow.
Kristina in the Snow
The white snow in a winter scene can and often does fool a camera meter into underexposing a portrait, so here are the steps to take to get the right exposure. I throw in a few portrait suggestions too.
Sarah, Professional Fitness Trainer
Your camera is in love with middle gray. The quicker you learn how to deal with this infatuation, the better your photos will look, including all of your color photos.
Mount Hunter from a Bush Plane. Denali National Park. Alaska.
Metering for scenes with a lot of snow can be tricky since the bright snow fools the camera meter. I see a lot of winter photos with gray snow, which means the camera meter did exactly what it was designed to do and the camera owner didn’t know how to use exposure compensation. The solution is quite simple provided you know what to do.
Digital Photography Exposure for Dummies
With 12 books, hundreds of magazine articles, over a dozen instructional videos, and numerous workshops to his credit, digital photography expert Tim Grey really knows his stuff. In one of his eNewsletters, Tim gives this excellent recommendation for Digital Photography Exposure for Dummies:
I have no idea how Michael Freeman can be a well traveled, international photographer and still find time to write so many terrific photography books. But somehow he manages to do both. I suspect he never sleeps. I imagine him creating images and writing books 24 hours a day, stopping only to eat once or twice a week!!
Sarah
Sarah is a professional fitness trainer and we have worked together before. We had another photo shoot Saturday morning and this is the first photo I optimized from the shoot.
Kristin in the shade with some fill flash.
Cloudy bright days are great for portrait photography. No harsh shadows. Soft even, flattering light. So what do you do in the harsh light (at least for most portrait photography) of a bright, sunny day?
A Moment of Discovery
When you are photographing very active children around 2 1/2 years of age, it is often best to just follow them around and let them do their thing, rather than try to “pose” them. I followed my grandson around my backyard for almost an hour, taking pictures and hoping to get just the right image. To get the best point of view I needed to be on my knees. Spending that much time on your knees is hard on the knees, but what else can you do? When you photograph children you need to be down on their level.
Bruce Munro: Light. Franklin Park Conservatory
Jewel Box Lighting is the art of combining lights, lighted buildings, or lighted objects with a deep blue evening sky. It is a great way to do photography and the exhibit this week at the Franklin Park Observatory is a wonderful opportunity to practice this technique and come away with some unique and memorable images.
Sarah – Window Blind Shadows Portrait
There are a lot of creative options when creating portraits using sunlight streaming through window blinds.
Kristina – Window Blind Shadows Portrait
One of the things I like about winter is the sunlight streaming through my studio windows at a low enough angle to create portraits using window blind shadows. In the summer the sun is too high for me to do this and get the angles I want.
Snow Hummocks, Merced River
Just like metering daytime winter scenes, the key to metering evening winter scenes is knowing what to meter and deciding how much exposure compensation to use.
Elk in the Snow, Horseshoe Park, Rocky Mountain National Park, Colorado
Metering dark toned wildlife in the snow is a major exposure challenge. It is usually best to avoid large “burned out” areas (washed out, featureless white) in a nature or landscape photograph, but with properly exposed snow, the wildlife can be so dark as to lose all texture. On other hand, metering for the wildlife can burn out the snow.
Kristina in the Snow
The snow in a winter scene will often fool a camera meter into underexposing a photo, so here are the steps to take to get the right exposure. I throw in a few portrait suggestions too.