Author Archives: Jim

Today’s “Screen Saver Surprise” is a Special Image

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Egg, Pearls, Rings

After a morning office break, I walked back in to our office and this image greeted me on the computer monitor. This happens to be a really special image for me. As an anniversary gift back in September 1993, my wife signed me up for a black and white printing class at the Kalamazoo Institute of Arts. The gift was initially – let me say – “puzzling” to me. I was pretty much a 100% color slide film photographer. The only time I ever put color negative film in my cameras was to photograph weddings. But it was a gift, so I went.

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Violinist in the Snow

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Beth playing her violin in the snow. February 12, 2020.

It was three years ago today, but it started two months earlier in December with a plan to do portraits of Beth with her violin. Back then she was the principal violinist and concertmaster of the Graceland University Orchestra. (Today she is doing graduate studies in violin performance.) When I asked her to send me examples of the kind of portraits she liked, some of the photos she sent me had a violinist outside in the snow. I asked her if she wanted to shoot in the snow and she said yes. So we waited for snow and on a cold, snowy day in January we did portraits in the snow.

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The Photographer’s Bookshelf

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Photography Books. Click the photo to see a larger version.

Michael Freeman’s Capturing Light is new to this bookshelf. It is a Christmas gift from one of my children. If you aren’t acquainted with Freeman, and you love photography, it is time you meet. So I took a picture and decided to write about the books in this photograph. You are looking at one half of one shelf of two bookcases filled with photography books. I learned long ago that great photographers read a lot. Photo books, composition books, lighting books, art books, location guides, and a whole lot more. So I read books too.

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Shirley Cards: Why they are important and how they are used.

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Shirley Card for use with Vericolor negative film.

In the early 1950s almost all color negative film sold in the U.S. was made by Kodak and Kodak had the monopoly on processing. When you bought the film the cost of processing was bundled in with the price of the film. When you finished the roll you sent it off to Kodak to be processed and Kodak sent you your prints. As long as you knew what you were doing (and didn’t do something dumb like shoot daylight film under tungsten lights) you got great looking prints back from Kodak. The exception was the rare person who processed their negatives at home and made their own prints. They did not like being forced to pay for processing they didn’t use.

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More Help Finding and Photographing Comet ZTF (C/2022 E3)

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February 1: Northern night sky and Comet ZTF (C/2022 E3).

I have had such good lunch photographing prior comets I was eagerly looking forward to seeing and photographing Comet ZTF (C/2022 E3). This comet is such a big draw because it has not passed earth in 50,000 years and will not likely return again. When I finally had a relatively clear night February 1, I was outside and ready to go. I had a much harder time than I expected. I glassed the right area of the sky with binoculars and I could not find anything that looked like a comet. So I took pictures of the northern sky which you can see above. On the back of my camera I could not the comet. So I downloaded the memory can looked on my computer monitor.

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How To Photograph Comet ZTF (C/2022 E3)

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Comet NEOWISE over Home Lake, Lamoni Iowa, July 13, 2020.

The key to photographing Comet ZTF is to know where to look. In the evening around 9 pm it is above the North Star and a little to the left. It moves higher in the sky every night and is almost straight overhead by February 5. For details and the best evening sky map I could find, read this article. Once you have found the comet with your naked eyes or with binoculars, you can photograph it.

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How to Find and Photograph Snowy Owls

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Snowy Owl sightings, January 2023. Click image for a larger version.

Winter is your opportunity to photograph Snowy Owls. When it is cold enough and there is enough snow cover, snowy owls move down into the northern U.S. The colder it is the farther south they move. If conditions are right, don’t delay. If the winter turns warmer the snowy owls will head back north.

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Winter Photography Safety Essentials

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Some of the winter travel items I carry in the trunk of my car.

Some of the winter travel items I carry in the trunk of my car. This is the “kitchen” and “furnace”.

I grew up in Colorado where strange weather can strand you in any month of the year. Even though it is rare, I’ve seen blizzards in the Colorado high country in July. So I learned to carry some safety essentials when doing winter photography in remote locations. You never know when you might be stranded for several hours, a whole day, or longer, until the blizzard abates and someone can come find you. This is what I carry in my car when I hit the road in the winter and pretty much any time I am going to be in the High Rockies. I include a few winter travel tips, too.

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How To Work With A Model (or Anybody Else) When The Windchill is 4°

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Selina

Selina, Downtown Columbus Ohio. Windchill 4°.

You would think a windchill of 4° Fahrenheit (-16°C) would be too cold for a photo shoot, but not with some models. We booked this January shoot weeks in advance so we knew it would be cold, but we had no idea how cold until the day arrived. Here’s the story behind this image and how to work with a model (or anybody else) when it is so cold.

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Testing Your Camera’s Snow Exposure Latitude

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Cascade, Barry, and Coxe Glaciers

Cascade, Barry, and Coxe Glaciers, Prince William Sound, Alaska

The “snow exposure latitude” for every camera is different. You won’t find it in your camera’s manual but it is easy to determine with a do-it-yourself test. Why does it matter? If you don’t know the snow exposure latitude for your camera and how to apply it to your images, the color and quality of your winter photos will suffer.

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Metering Nighttime Winter Scenes

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Twilight, Rocky Mountain National Park.

Twilight, Rocky Mountain National Park. Sirius, Canis Major, Orion, Taurus, the Hyades star cluster, and the Pleiades star cluster are all visible in the fading light. Click for a larger version.

You can photograph the night sky year around, but winter brings an added bonus: SNOW! When you don’t have the benefit of moonlight, most of the year land forms a dark to black silhouetted skyline against the night sky. In winter you have the possibility of including the highly reflective snow. You can see both in this photo. Any place not covered with snow is very dark to black. Having reflective snow is why winter is the favorite time of year for a lot of photographers to go out and photograph the night sky.

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Metering Wildlife in the Snow, Part Two

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Cougar

Cougar

Most wildlife are medium to dark in tone, making them a challenge to meter properly in the bright, white tones of winter. If you trust one of your camera’s automatic exposure modes, the odds are good you won’t get the best exposure. If you switch over to manual exposure and make the right decisions, you can get great exposures and better quality photos (more about that later).

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Metering Wildlife in the Snow, Part One

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Elk in the Snow, Rocky Mountain National Park

Elk in the Snow, Horseshoe Park, Rocky Mountain National Park, Colorado

Metering dark toned wildlife in the snow is a major exposure challenge. It is usually best to avoid large “burned out” areas (washed out, featureless white) in a nature or landscape photograph, but with properly exposed snow, the wildlife can be so dark as to lose all texture. On other hand, metering for the wildlife can burn out the snow. So what do you do? And what about the complications of metering white animals?

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How To Series: Winter Photography

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Last Light on El Capitan, Yosemite National Park

Last Light on El Capitan, Yosemite National Park

In addition to all of the usual photographic challenges, winter provides some extra complications, especially in terms of metering. So I began this series of articles on winter photography. Check out the links below. The articles will help you meet the unique challenges of winter photography. So get out there, have fun, and create some great winter images!

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Pushing the Limits: $239 lens vs $2159 lens

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Bald Eagle, Home Lake. Canon SL3, EF-S 55-250mm lens.

Is a $239 lens as good as a $2159 lens? Much of the time, yes (see the first link at the end of this article). Sometimes no. It depends on the photo situation. I get lots of equipment questions and some of them have to do with photography on a tight budget. I’ve been comparing a refurbished Canon SL3 camera and a refurbished Canon EF-S 55-250mm lens to a Canon 7D Mark II camera with a Canon L series 100-400mm lens.

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