Metering Wildlife in the Snow

Elk in the Snow, Rocky Mountain National Park

Elk in the Snow, Horseshoe Park, Rocky Mountain National Park, Colorado

Metering dark toned wildlife in the snow is a major exposure challenge. It is usually best to avoid large “burned out” areas (washed out, featureless white) in a nature or landscape photograph, but with properly exposed snow, the wildlife can be so dark as to lose all texture. On other hand, metering for the wildlife can burn out the snow.

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Metering Snowy Winter Scenes

Mount Hunter from a Bush Plane. Denali National Park. Alaska.

Mount Hunter from a Bush Plane. Denali National Park. Alaska.

Metering for scenes with a lot of snow can be tricky since the snow fools the camera meter. I see a lot of winter photos online with gray, underexposed snow, which means the camera meter did what it was designed to do and the camera owner didn’t know how to use exposure compensation. The solution is quite simple provided you know what to do.

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POTD: Vermilion Lakes Sunset

Sunset, Vermilion Lakes, Banff National Park

Sunset, Vermilion Lakes, Banff National Park

Bad weather can lead to great sunsets. It was rainy day with a leaden gray sky when I picked up my coat, photo backpack and tripod to leave the “fireplace room” at the bed and breakfast in Banff. Some of the other guests asked if I really expected to get any good pictures in the bad weather.  “I hope so!”

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Bobcat: Fast and Simple Tonality Adjustments with Adobe Camera Raw

Bobcat, Before and After a Tonality Adjustment

Bobcat, Before and After a Tonality Adjustment

With the right software, you can do amazing things. There are some lighting situations where it is almost impossible, and certainly not practical, to get the correct white balance setting in the camera. This bobcat photo is an example. The best, fastest, and simplest solution is to get the right while balance setting after the fact using software like Adobe Camera Raw (ACR). A few minutes work with ACR can make a huge difference in the look of your photo.

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Relight the Sign on the Yukon Oklahoma Mill

Lighting over Yukon

Lightning over Yukon

The unique photo above was taken during a thunderstorm over Yukon Oklahoma. The view is looking west on old U.S. 66, “the Mother Road”. You can see the lighted sign over the “Yukon’s Best Flour” mill. The sign is no longer on, so the Friends of Yukon are raising funds to relight the sign. To support this project, I am donating 20% of all sales of my Yukon Oklahoma prints to relight the sign.

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National Geographic’s Kurt Mutchler at OSU

National Geographic's Kurt Mutchler, Executive Editor, Photography

National Geographic’s Kurt Mutchler, Executive Editor, Photography

OK, admit it. If you are serious about your photography, you would like to see one of your photos in National Geographic. Sadly, the odds of that are about as good as they are for starting in an NBA basketball game. So the next best thing is to meet one of National Geographic’s photo editors. That dream came true for me last week.

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Fountain Kiss, Bicentennial Park

Fountain Kiss, Bicentennial Park

Fountain Kiss, Bicentennial Park

I was working on my last photo of the day for the “Picture Today, Inspire Tomorrow” project on May 15 at ADAY.org (more info here). When I planned my day, I wanted to end up at the fountain at the new Bicentennial Park in Columbus, Ohio. It is a great place to take pictures. As I visualized the image ahead of time, children would be playing at the fountain, creating blurry silhouettes.  I already have a “children in the fountain” photo in my files, but all photos had to be taken on May 15.

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Best Books: Desert Solitaire by Edward Abbey

Balanced Rock, Arches National Park

Balanced Rock, Arches National Park

If you are heading for Arches and Canyonlands National Parks (and you should if you are a photographer), I highly recommend you read Desert Solitaire by Edward Abbey before you go. No other book will give you quite the feel that Abbey does for what this harsh and unforgiving land was like more than a half century ago before it became more accessible to the average tourist.

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Tomorrow is the Day! Take Pictures!

Hands on the Keyboard

Hands on the Keyboard

Tomorrow, May 15, is “Picture Today, Inspire Tomorrow” day. It is the day to take pictures of your daily life and be part of an international photo day. This is kind of like the “Day in the Life” books, except anyone can participate, it is international, and it is non-commercial. All photos must be taken on May 15 between 12:01 am and 11:59 pm local time.

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All 271 Book Photos

All book photos. Digital Photography Exposure for Dummies.

All of the photos in Digital Photography Exposure for Dummies.

The digital contact sheet above has all 271 photos in Digital Photography Exposure for Dummies. Curious about the statistical breakdown of the photos, I gathered them all together and went through them one by one to make note of the location, the type of photo (portrait, landscape, etc), camera used (film or digital), and the year each photo was taken.  Obviously, the photos reflect the content of the book. You would expect to see wildlife photos in a chapter on wildlife photography. But I thought the photos might say something about my general photographic preferences as well.

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Better Portraits: Focus On the Eyes

Window Light Portrait

Window Light Portrait

Do you want to create better portraits? One of the simplest and best ways is to focus on the eyes. Countless photos lose their dramatic impact because the eyes are blurry. Of course their are times that you might be creating an artsy, unusual image where the eyes are deliberately blurred, but 99 times out of 100 the eyes should be sharp.

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Lens Apertures and Depth of Field

Trumpet, f/4

Trumpet, f/4

One of the wonders of exposure is that dozens of aperture, shutter speed, and ISO combinations can provide exactly the same exposure (the overall lightness or darkness of an image), but very different artistic “looks”.  Experienced photographers know which exposure combination to choose to get the image they want.  Inexperienced photographers who leave the camera on program mode are turning all of the artistic decisions over to a computer chip.

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POTD: “The Strip”, Las Vegas

The Strip, Las Vegas.

“The Strip”, Las Vegas

With long shutter speeds, you can capture the passage of time in a way that your “instant snapshot eyes” can’t.  Your eyes and brain are capturing a rapid series of individual images and turning them into motion, while a still camera can capture one very long image. You can create images with a camera that your unaided eyes can’t create.

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