Double Arch, Arches National Park, Utah
Arches National Park is an iconic destination for both tourists and photographers. It is one of the more spectacular locations in North America with a wealth of photographic possibilities in Arches and other nearby parks.
All of the photos in Digital Photography Exposure for Dummies.
The digital contact sheet above has all 271 photos in Digital Photography Exposure for Dummies. Curious about the statistical breakdown of the photos, I gathered them all together and went through them one by one to make note of the location, the type of photo (portrait, landscape, etc), camera used (film or digital), and the year each photo was taken. Obviously, the photos reflect the content of the book. You would expect to see wildlife photos in a chapter on wildlife photography. But I thought the photos might say something about my general photographic preferences as well.
Denali at Sunrise, Denali National Park, Alaska
Mastery of light is a key to great photography of any kind. Anticipating great light in order to be in the right place at the right time is one of the keys to great landscape photography. I was searching for great light on Denali (or Mt. McKinley as it is called in the lower 48).
Window Light Portrait
Do you want to create better portraits? One of the simplest and best ways is to focus on the eyes. Countless photos lose their dramatic impact because the eyes are blurry. Of course their are times that you might be creating an artsy, unusual image where the eyes are deliberately blurred, but 99 times out of 100 the eyes should be sharp.
Last Light on El Capitan, Yosemite National Park
Yosemite National Park is a spectacular place to visit in any season of the year. If you are there in the winter, the ideal time to create images is right after a snowfall when snow coats the trees.
Upper Tahquamenon Falls, Winter
Tahquamenon Falls State Park in Michigan’s Upper Peninsula is a great place to visit any time of the year, including winter. This view from the lip of the Upper Falls looks down the Gorge at the snow and ice covered Tahquamenon River.
Grain Elevators, Lamoni, IA
Any time you can mix warm and cool light (in terms of color temperature) you have the possibility of an interesting photo. I was attracted to the cool, blue sky (almost an hour after sunset) and the warm orange light on the grain elevators.
Golden Mantled Ground Squirrel, Colorado
One way to make your subject “pop” is to isolate it against a soft blurry background.
Trumpet, f/4
One of the wonders of exposure is that dozens of aperture, shutter speed, and ISO combinations can provide exactly the same exposure (the overall lightness or darkness of an image), but very different artistic “looks”. Experienced photographers know which exposure combination to choose to get the image they want. Inexperienced photographers who leave the camera on program mode are turning all of the artistic decisions over to a computer chip.
“The Strip”, Las Vegas
With long shutter speeds, you can capture the passage of time in a way that your “instant snapshot eyes” can’t. Your eyes and brain are capturing a rapid series of individual images and turning them into motion, while a still camera can capture one very long image. You can create images with a camera that your unaided eyes can’t create.
When shooting portraits, turning the face upside down to change the usual perspective can give the face a dramatic new look. We are used to seeing people right side up with the eyes higher in the photo than the nose, lips and chin. Putting the eyes at the bottom of the photo changes the look of the face. Most people are surprised at the difference in how they look when photographed from this angle.
The photo in the header of this blog (as of Dec 24) is the Spanish Peaks above the little town of LaVeta Colorado. As a small boy growing up in Colorado, a view of the Spanish Peaks greeted me every morning from our living room window.
Sky Dog
It’s the time of year when a jolly old elf squeezes down countless chimneys, reindeer fly, and most anything else can happen. I’m sure you believe dogs can fly!
Christmas Angel
In this “found photo”, I wanted to capture the light shining on the angel, but also the light shining through the angel’s somewhat translucent right wing. The challenge was to find an exposure that wouldn’t totally burn out the left side while catching the light coming through the wing.
Window Light Portrait
There is a reason photographers like soft window light. It is great for all kinds of subjects, like the young woman above and the photo of a 2 week old infant in a prior post.
California Poppies
Flowers photos are often taken from eye level (human eye level), but flowers usually look best when taken from the flower’s eye level. But some flowers, under the right conditions, look best when the camera is right on the ground and looking up.
Window Light Portrait
Photographers take advantage of window light to create portraits, and long before photography, painters were making good use of window light. It can be beautiful light.
Jet on the Track
Most photos are taken from eye level, so you can give your photos a dramatically different look by putting your camera on the ground.
Two Light Studio Portrait
It doesn’t take a lot of lights to create a portrait. The portrait above was created with two studio lights. This is how the photo was created.
Bryce Canyon at Sunrise
Bryce Canyon in southern Utah is one of the most spectacular places on the planet and I finally found a chance to stop there on a trip to California. It was late April and I was hoping for snow. I arrived about sunset (with no snow on the ground) and I had to leave the next morning after only a few hours of shooting time. Mother Nature must have smiled. There was a dusting of snow overnight.
Flash, Off-Camera vs On-Camera
Off-camera flash can provide more pleasing light and a much more dramatic photograph than on-camera flash. Using two off-camera flash units provides even more dramatic lighting possibilities.
Portrait in Open Shade on a Sunny Day
People generally look best when you photograph them in soft light. That’s why studios bounce the studios lights off of big umbrellas or through big “soft boxes” to widen and soften the light. The umbrella or soft box mimics the nice soft light you get on a “cloudy bright” day when there are just enough clouds to soften the light and minimize shadows.
Warren Stevens, Magic 106.3
Off-camera flash is so useful because it gives you a different look from the millions of photos that are taken with the flash on the camera. The light can come from any direction you choose, no matter where your camera is, and the latest technology makes automatic flash exposure quick and reliable.
Warren Stevens, Magic 106.3, Columbus, Ohio.
If I am using flash for an environmental portrait, I usually prefer having the flash off of the camera. In this portrait of Warren Stevens (program director and mid-day air personality at Magic 106.3 FM in Columbus), the flash is above Warren and to his right, providing a nice semi side-lit photograph. On camera flash is flat and even. Getting the flash off of the camera and moving it to the side provides more shape and texture to the subject.
Sarah Gearino, Fitness Trainer
I’ve photographed people in a lot of different occupations, but this is the first time I’ve worked with a professional fitness trainer. Sarah Gearino (“Body Evolution by Sarah”) is taking on more clients and she wanted photos for her Web site (which is currently in the planning stages).
Aspen, Marshall Pass, Colorado
Fall color is sweeping the country. To make the most of it, you want to be at the right place at the right time. Fortunately, that’s not hard to do.
U.S. Flags. Westerville Ohio.
Matt – One Call Auto Mechanic
“Matt Dirty”, “Matt Clean” was Matt’s idea. He is the owner of One Call Auto Mechanic, and he asked me to do a set of “environmental portraits” of him at work (Matt Dirty), plus another set of portraits for his family (Matt Clean). In this post, I show you some of both, along with some photo tips and a few safety suggestions for this kind of shoot.
Wave, Tahiti Nui’s Western Shore
We were on the western shore of Tahiti Nui watching the the waves break on a reef, quite a ways from the beach. A strong wind was blowing from the beach out toward the waves, blowing a fine mist of water off the tops of the waves and out toward the Pacific. The waves themselves were a beautiful shade of blue and a nice contrast to the darker blue of the surrounding water. It was the blue of the waves and the fine mist blowing off the crest of the waves that attracted me to this scene.
U.S. Flags. Westerville Ohio.