This is your opportunity to photograph Snowy Owls. There have been a lot of snowy owl sightings so far this month across the northern U.S. Don’t delay. If the winter turns warmer the owls will head farther north. On the other hand, if the winter turns colder they may move even farther south.
This is the first in an ongoing series of articles on Snowy Owl photography. Originally posted January 25, 2016. Revised and updated Jan. 7, 2017.
FINDING SNOWY OWLS
Head north for the purple colors on the Snowy Owl sighting map (the darker the purple the better) and check out the locations for recent sightings. Set the map date for “Year Around, Current Year” (or pick a specific date range to limit the map to recent sightings).
Zoom in on the map until you see the red pins for snowy owl sightings and click on the red pins for details. This map from the Grand Rapids-Muskegon area in Michigan is an example of the information you can get. The more red pins the better. Pick a target area that has a lot of red pins with recent sightings. If there haven’t been any sightings in the last two or three days, find another area.
As I checked the map today, I found a bunch of sightings clustered in an area east of Adrian Michigan, but they were all much too old. It is way too late to go there.
Near St. Louis Michigan there have been 8 sighting in the last few days with one sighting today. It is still a live area worth exploring.
Once you have picked one or more target areas, save the location maps to your laptop or smart phone so you can find the locations when you get there.
If you don’t find any snowy owls at the locations in your target area, go to another target area. Or go online and check the Snow Owl sighting map to pick one or more new target areas. Depending on the weather the owls may have moved farther north.
PHOTOGRAPHING SNOWY OWLS
A white bird against a snowy white background is a recipe for underexposure if your camera is in auto exposure mode. With a white subject and a white background, some “plus exposure compensation” is in order. Set your camera’s exposure compensation scale somewhere between +1 and +2. A white bird against a dark background is even trickier for auto exposure with the risk of a seriously overexposed bird. Best to switch to manual mode and meter an 18% gray card, a neutral toned subject, or use an incident light meter.
These articles go into more detail:
Approaching Snow Owls
Have your camera and lens ready to go on the seat beside you. Set the metering in advance to the existing conditions. If the light changes, pick some snow and re-meter.Stay in your car. When you spot an owl, slow down, turn off your radio, roll down the window you will shoot out of. Take your time driving up to the owl. Watch the owl. If it gets nervous, stop and wait. No sudden movements. When the owl clams down, slowly pick up your camera and take a picture. Then drive a little closer. Every bird is different. Some will allow you to get close than others. When you are as close as you can get with your car, make the most of it and take enough pictures so you are sure you have the best possible shot. Only then should you think about getting out of your car to approach the owl on foot.
Read this article for advice on approaching an owl on foot.
Long lenses are the rule for photographing birds. 300-400mm or longer are preferred (35mm equivalent). If you don’t want to break the bank on a 300, 400, or 500mm prime (single focal length) lens, look at the 100-300mm, 100-400mm, 55-250mm and similar telephoto zoom lenses lenses that are available. Some of the superzoom point and shoot cameras have lenses that zoom out to 500mm and longer (35mm equivalent).
The Snowy Owl Series
The Snow Owl Series is also part of the Winter Photography Series.
The Winter Photography Series
“How To” Series: Winter Photography – An Overview
Why Is Exposure So Important? The first in a series of articles covering the basics of exposure with links to the rest of the articles.
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